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| Issue |
Title |
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| Vol 12, No 4(46) (2020) |
B.M. Nemensky’s “Berlin Sketches” and the Traditions of Russian Fine Art |
Abstract
PDF (Rus)
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Olga K. Kleymenova |
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| Vol 12, No 3(45) (2020) |
Techniques for Representing the Author in Alexander Sokurov’s films |
Abstract
PDF (Rus)
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Nadezhda V. Klimenko |
| |
| Vol 12, No 3(45) (2020) |
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War |
Abstract
PDF (Rus)
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|
Dzhan I. Danilov |
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| Vol 12, No 3(45) (2020) |
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture |
Abstract
PDF (Rus)
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Natalia G. Krivulya |
| |
| Vol 11, No 4(42) (2019) |
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam |
Abstract
PDF (Rus)
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|
Valeri I. Mil'don |
| |
| Vol 11, No 4(42) (2019) |
The Existential World of Kira Muratova |
Abstract
PDF (Rus)
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Natalia B. Kirillova |
| |
| Vol 12, No 1(43) (2020) |
Modern Social Problems in the Works of Novice Documentary Filmmakers |
Abstract
PDF (Rus)
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Anastasia A. Shtandke |
| |
| Vol 12, No 1(43) (2020) |
Dramaturgy of the Character of the Tempter Devil in the Movie |
Abstract
PDF (Rus)
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|
Maria A. Batova |
| |
| Vol 12, No 1(43) (2020) |
The Emergence of a Holistic Artistic Image |
Abstract
PDF (Rus)
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Aleksandr V. Sveshnikov |
| |
| Vol 12, No 2(44) (2020) |
Grotesque as a Formative Method in the Drama of a Feature Film |
Abstract
PDF (Rus)
PDF (Rus)
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Anastasiya E. Babina |
| |
| Vol 12, No 2(44) (2020) |
Conflict of Artificial and Living Body in Cinema the Theme of Fear and its Overcoming |
Abstract
PDF (Rus)
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|
Svetlana S. Kozlova |
| |
| Vol 12, No 2(44) (2020) |
Vlog: Literary Tradition and Political Strategies |
Abstract
PDF (Rus)
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|
Andrey M. Druzhinin |
| |
| Vol 11, No 2(40) (2019) |
Framing As a Method of Creating a Film's Metaphorical Context |
Abstract
PDF (Rus)
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|
Roman V. Korobko |
| |
| Vol 11, No 2(40) (2019) |
Actual Problems of the Composition of the Artistic Image |
Abstract
PDF (Rus)
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Alexander V. Sveshnikov |
| |
| Vol 11, No 3(41) (2019) |
The film star — the Phenomenon of a Parasocial Relation |
Abstract
PDF (Rus)
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|
Mikhail I. Zhabskiy, Faina V. Novoselova, Кirill А. Tarasov |
| |
| Vol 11, No 3(41) (2019) |
Methods of Using the Type Expressiveness of the Actor in the Cinema of “New Sincerity” |
Abstract
PDF (Rus)
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|
Maria O. Kuznetsova |
| |
| Vol 11, No 3(41) (2019) |
The Role and Basic Aspects of ‘‘the Montage of Attractions’’ in Russian Cinema |
Abstract
PDF (Rus)
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|
Yana V. Gulyaeva |
| |
| Vol 11, No 2(40) (2019) |
The Sound World of the Alienated Film Character |
Abstract
PDF (Rus)
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|
Elena Rusinova |
| |
| Vol 11, No 1(39) (2019) |
Массовые сцены как способ манипуляции сознанием зрителя |
Abstract
PDF (Rus)
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|
Anastasiya Arysheva |
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| Vol 11, No 2(40) (2019) |
The Image of Prince Myshkin in Russian Cinema 1 Dostoevsky calls Prince Myshkin "Prince Christ" in drafts to the The Idiot. The writer accentuates the evangelical parallels of this image are undoubtedly, and this fact is emphasized by many researchers of his work. |
Abstract
PDF (Rus)
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|
Anastasia Ryabokon' |
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| Vol 12, No 4(46) (2020) |
The Expressive Function of Color in Modern Non-Fiction Films |
Abstract
PDF (Rus)
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Anastasia A. Shtandke |
| |
| Vol 11, No 4(42) (2019) |
Multimedia Learning Model: Adapting an Image in a Screen Work |
Abstract
PDF (Rus)
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|
Elena G. Yaremenko |
| |
| Vol 11, No 3(41) (2019) |
Self-Media as a Model for Monetization of Knowledge Code |
Abstract
PDF (Rus)
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|
Svetlana L. Urazova |
| |
| Vol 10, No 4(38) (2018) |
Involuntary Behavior of Gogol’s Heroes |
Abstract
PDF (Rus)
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|
Valery I. Mildon |
| |
| Vol 10, No 4(38) (2018) |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
Abstract
PDF (Rus)
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|
Vladimir V. Vinogradov |
| |
| Vol 10, No 4(38) (2018) |
Composition as a Method of Communication in the Teaching of Fine Arts |
Abstract
PDF (Rus)
|
|
Alexander V. Sveshnikov |
| |
| Vol 10, No 4(38) (2018) |
Riddle as a Structural Element of the Quest Genre |
Abstract
PDF (Rus)
|
|
Alexander N. Yankovskiy |
| |
| Vol 4, No 2-3(12-13) (2012) |
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road» |
Abstract
PDF (Rus)
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|
Yelena Igorevna Sibirtseva |
| |
| Vol 7, No 3(25) (2015) |
Conversation Direction in Russian Contemporary Documentaries |
Abstract
PDF (Rus)
|
|
Alexandra V. Trukhina |
| |
| Vol 4, No 2-3(12-13) (2012) |
Cliplike Montage and Illusory World |
Abstract
PDF (Rus)
|
|
Natalia Ivanovna Utilova |
| |
| Vol 7, No 3(25) (2015) |
Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect |
Abstract
PDF (Rus)
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|
Alexander A. Pronin |
| |
| Vol 4, No 4(14) (2012) |
A Hero and His Mask in Strip Cartoons |
Abstract
PDF (Rus)
|
|
Nina Alexandrovna Tsyrkun |
| |
| Vol 7, No 3(25) (2015) |
Video Art: Significant Absence of Editing as an Artistic Tool |
Abstract
PDF (Rus)
|
|
Alexandra D. Staruseva-Persheyeva |
| |
| Vol 4, No 4(14) (2012) |
Phenomenon of the System Repetition in Photography as an Alternative to Film |
Abstract
PDF (Rus)
|
|
Andrey Mikhailovich Burov |
| |
| Vol 7, No 4(26) (2015) |
Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema |
Abstract
PDF (Rus)
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|
Olga P. Ziborova |
| |
| Vol 5, No 2(16) (2013) |
Screen image. Aftereffect |
Abstract
PDF (Rus)
|
|
Vitaliy Fyodorovich Poznin |
| |
| Vol 7, No 4(26) (2015) |
Screening Zurbagan: On Use of Animation in Russian Feature Cinema |
Abstract
PDF (Rus)
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|
Nina Yu. Sputnitskaya |
| |
| Vol 5, No 3(17) (2013) |
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice |
Abstract
PDF (Rus)
|
|
Andrey Mikhailovich Burov |
| |
| Vol 8, No 2(28) (2016) |
Modernist Cinema of Andrey Tarkovsky |
Abstract
PDF (Rus)
|
|
Stepan V. Fedotkin |
| |
| Vol 5, No 4(18) (2013) |
C.G. Jung on the Nature of Artistic Image |
Abstract
PDF (Rus)
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|
Alexander Vyacheslavovich Sveshnikov |
| |
| Vol 8, No 2(28) (2016) |
Kaleidoscope Aesthetics in Visual Media |
Abstract
PDF (Rus)
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|
Maria A. Romakina |
| |
| Vol 5, No 4(18) (2013) |
Hoffmann’s Dual World in “Hoffmaniada” |
Abstract
PDF (Rus)
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|
Yelena Vladimirovna Trapeznikova |
| |
| Vol 8, No 2(28) (2016) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
Abstract
PDF (Rus)
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|
Editorial Article |
| |
| Vol 6, No 1(19) (2014) |
«The White Guard» on TV: fascinated by masscult mythology |
Abstract
PDF (Rus)
|
|
Sergey Nikolayevich Ilchenko |
| |
| Vol 8, No 3(29) (2016) |
Kaleidoscope Aesthetics in Visual Media |
Abstract
PDF (Rus)
|
|
Maria A. Romakina |
| |
| Vol 6, No 1(19) (2014) |
Fractal graphic as digital objectless art |
Abstract
PDF (Rus)
|
|
Dmitry Yurievich Nekrasov |
| |
| Vol 3, No 4(10) (2011) |
Basic Aspects of the Development of Systematic Repetition in Fine Art |
Abstract
PDF (Rus)
|
|
Andrey Mikhailovich Burov |
| |
| Vol 6, No 4(22) (2014) |
Strategies of Audiovisual Translation |
Abstract
PDF (Rus)
|
|
Gennady Petrovich Bakulev |
| |
| Vol 3, No 4(10) (2011) |
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev |
Abstract
PDF (Rus)
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|
Yevgeniy Mikhailovich Pishita |
| |
| Vol 6, No 4(22) (2014) |
Character’s Imagery in Russian Animation of 1990s |
Abstract
PDF (Rus)
|
|
Violetta Victorovna Prikhod’Ko |
| |
| Vol 4, No 1(11) (2012) |
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting |
Abstract
PDF (Rus)
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Viktoria Andreevna Fomina |
| |
| Vol 6, No 4(22) (2014) |
The Art of Opera: Variability of Artistic Languages of Screen Forms |
Abstract
PDF (Rus)
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|
Alexandra Vadimovna Mesyanzhinova |
| |
| Vol 4, No 1(11) (2012) |
On Creating a Virtual Character (analysis of«Mouchette.org» site) |
Abstract
PDF (Rus)
|
|
Inga Igorevna Yugai |
| |
| Vol 7, No 2(24) (2015) |
From Greek Tragedy To Opera-Film |
Abstract
PDF (Rus)
|
|
Daria Sergeevna Kropova |
| |
| Vol 5, No 1(15) (2013) |
Peculiarities of flash Animation |
Abstract
PDF (Rus)
|
|
Yelena Vladimirovna Trapeznikova |
| |
| Vol 4, No 2-3(12-13) (2012) |
The Role of Memory in the Perception of the Screen Image |
Abstract
PDF (Rus)
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|
Vitaly Fyodorovich Poznin |
| |
| Vol 7, No 2(24) (2015) |
Sound Editing in Screen Works |
Abstract
PDF (Rus)
|
|
Natalia Nikolaevna Efimova |
| |
| Vol 4, No 2-3(12-13) (2012) |
The Actor’s Perception of the Partner’s Speech |
Abstract
PDF (Rus)
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|
Irina Anatolyevna Avtushenko |
| |
| Vol 7, No 2(24) (2015) |
READING ROOM | BOOKSHELF |
Details
PDF (Rus)
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Editorial Article |
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