| Issue | Title | |
| Vol 11, No 1(39) (2019) | Массовые сцены как способ манипуляции сознанием зрителя | Abstract PDF (Rus) |
| Anastasiya Arysheva | ||
| Vol 11, No 1(39) (2019) | Австралийский кинематограф: трансформация проблем молодежи в ходе времени | Abstract PDF (Rus) |
| Irina Zvegintsevа | ||
| Vol 11, No 1(39) (2019) | К АКАДЕМИЧЕСКОМУ КИНОВЕДЕНИЮ | Abstract PDF (Rus) |
| Vol 11, No 1(39) (2019) | ТЕОРИЯ КИНОДРАМАТУРГИИ: КИНО РОЖДАЕТСЯ В СЦЕНАРИИ | Abstract PDF (Rus) |
| Vol 11, No 2(40) (2019) | "ДНИ ВГИК" В РЕСПУБЛИКЕ СЕРБИЯ | Abstract PDF (Rus) |
| Vol 16, No 1(59) (2024) | ‘‘Faces of Death” in Andy Warhol’s early films | Abstract PDF (Rus) |
| A. S. Simindeikin | ||
| Vol 9, No 2(32) (2017) | “Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries | Abstract PDF (Rus) |
| Denis Yu. Mylnikov | ||
| Vol 17, No 3(65) (2025) | “Cinema of Slowness” and “Boring” Video Art: Rethinking Time in the Moving Image | Abstract PDF (Rus) |
| A. D. Persheeva | ||
| Vol 17, No 1(63) (2025) | “Dancer in the Dark” (Lars von Trier, 2000) as a Case Study on the Transformation of the Musical Genre in Modern Cinema | Abstract PDF (Rus) |
| Yu. O. Vinar | ||
| Vol 7, No 1(23) (2015) | “Deus ex Machina” as a Method of Constructing a Happy End in Film Art | Abstract PDF (Rus) |
| Vasily Anatolievich Shevtsov | ||
| Vol 16, No 4(62) (2024) | “Empty Space” of the Civil War: Theatricalization of the theme on the Soviet Screen in 1960s | Abstract PDF (Rus) |
| M. A. Palshkova | ||
| Vol 6, No 1(19) (2014) | “Moscow text” in Russian cinema in the 1920s-1940s | Abstract PDF (Rus) |
| Nina Alexandrovna Boyarshinova | ||
| Vol 3, No 4(10) (2011) | “My Friend Ivan Lapshin” as a Screen Adaptation | Abstract PDF (Rus) |
| Yelena Igorevna Sibirtseva | ||
| Vol 16, No 4(62) (2024) | “National heartbeat” of the Artist V.V. Arkhipov | Abstract PDF (Rus) |
| O. K. Kleymenova | ||
| Vol 10, No 2(36) (2018) | “New Drama” in the Context of the Historical Film | Abstract PDF (Rus) |
| Lydia V. Kuzmina | ||
| Vol 5, No 3(17) (2013) | “Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice | Abstract PDF (Rus) |
| Andrey Mikhailovich Burov | ||
| Vol 8, No 4(30) (2016) | “Provincial” Cinema on Global Orbits | Abstract PDF (Rus) |
| Natalia B. Kirillova | ||
| Vol 9, No 1(31) (2017) | “Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016) | Abstract PDF (Rus) |
| Valeriy E. Gordin, Elena M. Elkanova | ||
| Vol 13, No 1(47) (2021) | “The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films | Abstract PDF (Rus) |
| A. K. Shevchenko-Rosliakova | ||
| Vol 10, No 4(38) (2018) | “VGIK DAYS”: FOREIGN ROUTES | Abstract PDF (Rus) |
| Editorial Article | ||
| Vol 15, No 2(56) (2023) | “We Were Born to Make a Fairy Tale Come True…” Myth–Making of the National Newsreels of the 1930s | Abstract PDF (Rus) |
| G. S. Prozhiko | ||
| Vol 5, No 1(15) (2013) | «Drowning by Numbers» by Peter Greenaway in light of surrealism | Abstract PDF (Rus) |
| Roman Maksovich Perelshtein | ||
| Vol 16, No 2(60) (2024) | «Expressive movement» as the creation of super-authenticity in the cinema of K. Saura (using the example of the trilogy «Bloody Wedding», «Carmen», «Witchcraft Love») | Abstract PDF (Rus) |
| Yu. O. Vinar | ||
| Vol 8, No 4(30) (2016) | «Pulsating Organizations» in Culture | Abstract PDF (Rus) |
| Valeriy E. Gordin, Elena M. Elkanova | ||
| Vol 7, No 1(23) (2015) | «Student Taffy» - an innovative project | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 2-3(12-13) (2012) | «Terra Incognita» Cinema | Abstract PDF (Rus) |
| Irina Anatolyaevna Zvegintseva | ||
| Vol 6, No 1(19) (2014) | «The White Guard» on TV: fascinated by masscult mythology | Abstract PDF (Rus) |
| Sergey Nikolayevich Ilchenko | ||
| Vol 16, No 2(60) (2024) | «There Is No Flame, Only Smoke Lingers»: the Image of a Rock Musician in Modern Russian Cinema | Abstract PDF (Rus) |
| S. A. Smagina | ||
| Vol 7, No 1(23) (2015) | «We» and «Others» - Their Actions and Our Reactions | Abstract PDF (Rus) |
| Larisa Nikolaevna Fedotova | ||
| Vol 11, No 1(39) (2019) | «Дни ВГИКа» в Таджикистане | Abstract PDF (Rus) |
| Vol 4, No 1(11) (2012) | «Кино США на рубеже веков» | Details PDF (Rus) |
| Vol 2, No 2(3-4) (2010) | «Наша память - наша Победа». Выставка студенческих работ разных лет, посвященных Великой Отечественной войне | Details PDF (Rus) |
| Editorial Article | ||
| Vol 1, No 1 (2009) | «Ты заставляешь зрителей смеяться и помогаешь им лучше понимать жизнь. Мне это нравится» | Abstract PDF (Rus) |
| Vol 4, No 1(11) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 1(11) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 2-3(12-13) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 2-3(12-13) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 2-3(12-13) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 4(14) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 4(14) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 4, No 4(14) (2012) | [ библиотека ВГИК ] | Details PDF (Rus) |
| Editorial Article | ||
| Vol 2, No 3(5) (2010) | «Арт. Проект. Диплом 2010.», «Пространство кино» | Details PDF (Rus) |
| Editorial Article | ||
| Vol 2, No 3(5) (2010) | APT. ПРОЕК' | Abstract PDF (Rus) |
| Editorial Article | ||
| Vol 2, No 4(6) (2010) | библиотека ВГИК | Abstract PDF (Rus) |
| Editorial Article | ||
| Vol 2, No 4(6) (2010) | библиотека ВГИК | Details PDF (Rus) |
| Editorial Article | ||
| Vol 11, No 3(41) (2019) | 100-ЛЕТИЕ АКТЕРСКОГО ФАКУЛЬТЕТА ВГИК | Abstract PDF (Rus) |
| Vol 7, No 1(23) (2015) | 1992-2012. Attempts at Privatization of Film Studios | Abstract PDF (Rus) |
| Olga Petrovna Ziborova | ||
| Vol 7, No 3(25) (2015) | 35th International Student Festival | Details PDF (Rus) |
| Editorial Article | ||
| Vol 12, No 3(45) (2020) | 40-й Международнцй студенческий фестиваль ВГИК | Abstract PDF (Rus) |
| Vol 7, No 3(25) (2015) | 7th International Summer Film School VGIK | Details PDF (Rus) |
| Editorial Article | ||
| Vol 12, No 4(46) (2020) | A Character in the Space of Leisure. An Essay on Dramatic Composition of Film | Abstract PDF (Rus) |
| Natalia E. Marievskaya | ||
| Vol 4, No 1(11) (2012) | A Competitive Model of Commercial TV Broadcasting | Abstract PDF (Rus) |
| Svetlana Leonidovna Urazova | ||
| Vol 8, No 3(29) (2016) | A Criminal as the Main Movie Character, or Old Themes and New Solutions | Abstract PDF (Rus) |
| Irina A. Zvegintseva | ||
| Vol 12, No 2(44) (2020) | A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen | Abstract PDF (Rus) |
| Natalya G. Grigorieva | ||
| Vol 2, No 4(6) (2010) | A Film as an "Unfinished Script": the Problem of Composition | Abstract PDF (Rus) |
| , Vsevolod Vyacheslavovich Korshunov | ||
| Vol 2, No 4(6) (2010) | A Film Director in Search of the Genre | Abstract PDF (Rus) |
| , Igor Fyodorovkh Maslennikov | ||
| Vol 4, No 4(14) (2012) | A Hero and His Mask in Strip Cartoons | Abstract PDF (Rus) |
| Nina Alexandrovna Tsyrkun | ||
| Vol 2, No 2(3-4) (2010) | A Long Story about a Big Set for a Short Episode | Abstract PDF (Rus) |
| , Alexander Nikitovich Tolkachov | ||
| Vol 12, No 1(43) (2020) | A Screen Version of the Story of Salinger Translated into Farsi | Abstract PDF (Rus) |
| Natalya G. Grigoreva | ||
| Vol 8, No 3(29) (2016) | A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism | Abstract PDF (Rus) |
| Vladimir V. Vinogradov | ||
| Vol 12, No 2(44) (2020) | A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite | Abstract PDF (Rus) |
| Park Young Eun | ||
| Vol 13, No 2(48) (2021) | A Stunt as a Plastic Metaphor in Epic Series “Liberation” | Abstract PDF (Rus) |
| D. I. Danilov | ||
| Vol 3, No 3(9) (2011) | A Symbolic Visual Structures in A. Sokurov's cinema | Abstract PDF (Rus) |
| Margarita Yevgenievha Tikhonova | ||
| Vol 2, No 4(6) (2010) | A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema | Abstract PDF (Rus) |
| , Ljudmila Borisovna Kljueva | ||
| Vol 3, No 1(7) (2011) | A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema | Abstract PDF (Rus) |
| Ljudmila Borisovna Kljueva | ||
| Vol 1, No 1 (2009) | About dubbing foreign ilms | Abstract PDF (Rus) |
| ELENA Roussinova | ||
| Vol 5, No 1(15) (2013) | About eternity concepts in the film structure | Abstract PDF (Rus) |
| Natalya Yevgenyevna Marievskaya | ||
| Vol 6, No 1(19) (2014) | Absurd KING SIZE | Details PDF (Rus) |
| N. B. Mankovskaya | ||
| Vol 11, No 2(40) (2019) | Actual Problems of the Composition of the Artistic Image | Abstract PDF (Rus) |
| Alexander V. Sveshnikov | ||
| Vol 16, No 3(61) (2024) | Actualised Transformation of a Monster in Big Screen Adaptations of Richard Matheson’s I am Legend | Abstract PDF (Rus) |
| D. V. Litvina | ||
| Vol 8, No 2(28) (2016) | Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch | Abstract PDF (Rus) |
| Maria A. Fanina | ||
| Vol 5, No 3(17) (2013) | Aesthetic Analysis of the Show as a Concept | Abstract PDF (Rus) |
| Tatiana Petrovna Vanchenko | ||
| Vol 2, No 1(2) (2010) | Aesthetic Features of the Modern TV-documentary | Abstract PDF (Rus) |
| , Ksenia Shergova | ||
| Vol 10, No 1(35) (2018) | Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? | Abstract PDF (Rus) |
| Vasily N Novikov | ||
| Vol 10, No 2(36) (2018) | Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? | Abstract PDF (Rus) |
| Vasily N. Novikov | ||
| Vol 11, No 4(42) (2019) | Agnes’ Self-Reflection in Ingmar Bergman’s Cries and Whispers | Abstract PDF (Rus) |
| Maria V. Solovyova | ||
| Vol 16, No 3(61) (2024) | Agrarian Sacrifice Ritual in the Film’s Narration | Abstract PDF (Rus) |
| I. K. Seliverstov | ||
| Vol 2, No 1(2) (2010) | Aki Kaurismaki: Two Films in Close-up (to the history of "New Finnish Cinema") | Abstract PDF (Rus) |
| , Valery Nikolayevich Turitsyn | ||
| Vol 13, No 3(49) (2021) | Alexander Dovzhenko. Poetic Space of Immortality | Abstract PDF (Rus) |
| V. V. Vinogradov | ||
| Vol 5, No 3(17) (2013) | Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem | Abstract PDF (Rus) |
| Nikolai Andreyevich Khrenov | ||
| Vol 5, No 4(18) (2013) | Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy | Abstract PDF (Rus) |
| Nikolai Andreyevich Khrenov | ||
| Vol 3, No 4(10) (2011) | Alfred Schnittke and the End of Russian Classic Music | Abstract PDF (Rus) |
| Yulia Vsevolodovna Mikheyeva | ||
| Vol 5, No 2(16) (2013) | Algeria: Birth of Cinema | Abstract PDF (Rus) |
| Anatoliy Sergeyevich Shakhov | ||
| Vol 1, No 1 (2009) | Alteration of perception of the screen image - actual trend analysis | Abstract PDF (Rus) |
| Natalia Kosenkova | ||
| Vol 5, No 4(18) (2013) | Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's | Abstract PDF (Rus) |
| Marina Ivanovna Kosinova | ||
| Vol 8, No 1(27) (2016) | American Biopic in Contemporary Cinema | Abstract PDF (Rus) |
| Irina V. Morozova | ||
| Vol 5, No 2(16) (2013) | American cinema of the Great Depression. The «Social Restlessness Phase» | Abstract PDF (Rus) |
| Dmitriy Vladislavovich Zakharov | ||
| Vol 15, No 4(58) (2023) | An author's intonation in the screen image of reality | Abstract PDF (Rus) |
| M. N. Koneva | ||
| Vol 12, No 3(45) (2020) | Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture | Abstract PDF (Rus) |
| Natalia G. Krivulya | ||
| Vol 8, No 2(28) (2016) | Animated Poster: Its Origins, Specificity and Peculiarity | Abstract PDF (Rus) |
| Natalia G. Krivulya | ||
| Vol 16, No 1(59) (2024) | Animation in digital media | Abstract PDF (Rus) |
| N. Y. Yarovaya | ||
| Vol 15, No 4(58) (2023) | Annual Film Studies Competition results announced at VGIK | Abstract PDF (Rus) |
| article Editorial | ||
| Vol 17, No 2(64) (2025) | Archival Documents as a Source for Analyzing the Production Stages of the Film “Twelfth Night” (1955, directed by Y. Fried) | Abstract PDF (Rus) |
| O. V. Kalko | ||
| Vol 14, No 2(52) (2022) | Are There Many Masterpieces, or What Will the Historical Heritage of the National Documentary Production of 2010-2020 Be? | Abstract PDF (Rus) |
| G. S. Prozhiko | ||
| Vol 5, No 1(15) (2013) | Art and politics | Abstract PDF (Rus) |
| Irina Petrovna Nikitina | ||
| Vol 14, No 3(53) (2022) | Art and Science in Comparative Perspective | Abstract PDF (Rus) |
| A. L. Andreev, T. V. Kuznetsova | ||
| Vol 4, No 2-3(12-13) (2012) | Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture» | Abstract PDF (Rus) |
| Editorial Article | ||
| Vol 2, No 2(3-4) (2010) | Artist and Repression: Reflections | Abstract PDF (Rus) |
| , Roman Maksovich Perelshtein | ||
| Vol 3, No 1(7) (2011) | Artistic Ambitions of Screen Document at the Turn of the Century | Abstract PDF (Rus) |
| Galina Semyonovna Prozhiko | ||
| Vol 3, No 2(8) (2011) | Artistic Ambitions of Screen Document at the Turn of the Century | Abstract PDF (Rus) |
| Galina Semyonovna Prozhiko | ||
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