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| Issue |
Title |
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| Vol 15, No 3(57) (2023) |
Perception of Music and Musical Instruments in Dziga Vertov's Silent Films of the 1920s |
Abstract
PDF (Rus)
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|
V. D. Evallyo |
| |
| Vol 15, No 4(58) (2023) |
Modification of the Aesthetic-Semiotic Structure of Screen Culture: Historical Context |
Abstract
PDF (Rus)
|
|
N. B. Kirillova |
| |
| Vol 15, No 4(58) (2023) |
Film costume as a means of creating a reliable historical image |
Abstract
PDF (Rus)
|
|
A. S. Kryuchkova |
| |
| Vol 15, No 4(58) (2023) |
S. A .Gerasimov All-Russian State University of Cinematography (VGIK) |
Abstract
PDF (Rus)
|
|
E. Yu. Shmakova |
| |
| Vol 15, No 1(55) (2023) |
Philosophical and Archetypal Imagery of the Visuals in the Game Series “Assassin's Creed” |
Abstract
PDF (Rus)
|
|
V. M. Ovchinnikov |
| |
| Vol 15, No 2(56) (2023) |
Representation of Maxim Gorky's Ideas and Images in the History of Screen Culture |
Abstract
PDF (Rus)
|
|
N. B. Kirillova |
| |
| Vol 14, No 4(54) (2022) |
Philosophical and Archetypal Imagery of the Visuals in the Game Series “Assassin's Creed” |
Abstract
PDF (Rus)
|
|
V. M. Ovchinnikov |
| |
| Vol 14, No 3(53) (2022) |
Art and Science in Comparative Perspective |
Abstract
PDF (Rus)
|
|
A. L. Andreev, T. V. Kuznetsova |
| |
| Vol 14, No 2(52) (2022) |
The Mystical Philosophy of Unity in the films of A. Tarkovsky |
Abstract
PDF (Rus)
|
|
Young Eun Park |
| |
| Vol 14, No 2(52) (2022) |
Split-screen Effects and Decadence Aesthetics in Peter Greenaway's Drowning by Numbers |
Abstract
PDF (Rus)
|
|
V. D. Evallyo |
| |
| Vol 13, No 4(50) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
Abstract
PDF (Rus)
|
|
N. A. Khrenov, A. N. Khrenov |
| |
| Vol 14, No 1(51) (2022) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
Abstract
PDF (Rus)
|
|
N. A. Khrenov, A. N. Khrenov |
| |
| Vol 13, No 3(49) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
Abstract
PDF (Rus)
|
|
N. A. Khrenov, A. N. Khrenov |
| |
| Vol 13, No 2(48) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
Abstract
PDF (Rus)
|
|
N. A. Khrenov, A. N. Khrenov |
| |
| Vol 13, No 1(47) (2021) |
Media Image of the Screen as Representation of Sociocultural Reality |
Abstract
PDF (Rus)
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|
S. N. Volkov |
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