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| Issue |
Title |
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| Vol 12, No 4(46) (2020) |
Initiation by Fear as a Model of Soviet Film Tales of the 1960s |
Abstract
PDF (Rus)
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Polina Yu. Zernova |
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| Vol 12, No 4(46) (2020) |
The Image of War in the Cinema of the 60s. Knights without Past and Future |
Abstract
PDF (Rus)
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Alena V. Ianushko |
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| Vol 12, No 3(45) (2020) |
Short Film: Genre Originality of Debuts |
Abstract
PDF (Rus)
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Galina I. Zhdankina, Natalia B. Shipulina |
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| Vol 12, No 3(45) (2020) |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
Abstract
PDF (Rus)
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Vladimir V. Vinogradov |
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| Vol 11, No 4(42) (2019) |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
Abstract
PDF (Rus)
PDF (Rus)
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Vladimir V. Vinogradov |
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| Vol 11, No 4(42) (2019) |
Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel |
Abstract
PDF (Rus)
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Anastasia V. Ryabokon' |
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| Vol 12, No 1(43) (2020) |
Historical Time and the Image of the House in A. Sokurov’s Work |
Abstract
PDF (Rus)
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Nadezhda V. Klimenko |
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| Vol 12, No 2(44) (2020) |
A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite |
Abstract
PDF (Rus)
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|
Park Young Eun |
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| Vol 13, No 3(49) (2021) |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
Abstract
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Vladimir V. Vinogradov |
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| Vol 11, No 3(41) (2019) |
The Canons of Capturing Reality in the Documentary Cinema of the 1960s |
Abstract
PDF (Rus)
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Maria V. Bezenkova |
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| Vol 11, No 3(41) (2019) |
The Evolution of Visual Instruments of VR Cinema |
Abstract
PDF (Rus)
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Aleksei V. Matkin |
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| Vol 11, No 1(39) (2019) |
Entrepreneur As a Hero of Russian Cinema in the First Half of the 1990s: the Adoption of a New Stereotype |
Abstract
PDF (Rus)
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Dmitry Karavaev |
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| Vol 11, No 2(40) (2019) |
Viktor Turin's Turksib As an Ecological Message |
Abstract
PDF (Rus)
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| Vol 12, No 2(44) (2020) |
Reconstruction of the Past in the Reality of Screen Imagery |
Abstract
PDF (Rus)
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Vyacheslav V. Marusenkov |
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| Vol 11, No 1(39) (2019) |
Contemporary Russian Сinema and Its World Contexts |
Abstract
PDF (Rus)
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|
Olga Reisen |
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| Vol 10, No 4(38) (2018) |
Contemporary Russian Cinema and Its World Contexts |
Abstract
PDF (Rus)
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Olga K. Reisen |
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| Vol 10, No 4(38) (2018) |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
Abstract
PDF (Rus)
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|
Yulia V. Mikheeva |
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| Vol 4, No 4(14) (2012) |
Golden Eagle-2012. Inpressions |
Abstract
PDF (Rus)
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Yelena Alexandrovna Yeliseyeva |
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| Vol 7, No 4(26) (2015) |
Reconstruction as the Character Depiction Method in Documentary |
Abstract
PDF (Rus)
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|
Alexandra V. Troukhina |
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| Vol 5, No 2(16) (2013) |
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» |
Abstract
PDF (Rus)
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Maria Viktorovna Bezenkova |
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| Vol 8, No 2(28) (2016) |
Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch |
Abstract
PDF (Rus)
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Maria A. Fanina |
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| Vol 5, No 2(16) (2013) |
Representation and Reconstruction of the Time in Non-Fiction Films |
Abstract
PDF (Rus)
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Lyudmila Nikolayevna Razgon |
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| Vol 8, No 3(29) (2016) |
Documentaries, 21st Century: Time to Sum Up |
Abstract
PDF (Rus)
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Vitaly F. Poznin |
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| Vol 5, No 4(18) (2013) |
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy |
Abstract
PDF (Rus)
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Nikolai Andreyevich Khrenov |
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| Vol 5, No 4(18) (2013) |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
Abstract
PDF (Rus)
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Yulia Vsevolodovna Mikheeva |
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| Vol 5, No 4(18) (2013) |
On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze |
Abstract
PDF (Rus)
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Natalia Yevgenyevna Marievskaya |
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| Vol 5, No 1(15) (2013) |
The Great Kamchatka Expedition |
Abstract
PDF (Rus)
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Ivan Andreyevich Golovnyov |
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| Vol 6, No 1(19) (2014) |
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20th Century: Notes on “Faust” by Alexander Sokurov |
Abstract
PDF (Rus)
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Nikolai Andreyevich Khrenov |
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| Vol 6, No 2(20) (2014) |
Screenplay as a Dynamic Process Model |
Abstract
PDF (Rus)
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Natalia Yevgenyevna Marievskaya |
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| Vol 3, No 4(10) (2011) |
The Poetic Cinema of the Post-Cultural Era |
Abstract
PDF (Rus)
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Yelena Alexeyevna Yeliseyeva |
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| Vol 6, No 4(22) (2014) |
Time - Backwards: Mayakovsky Quotes Vertov |
Abstract
PDF (Rus)
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Alexander Alexeevich Pronin |
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| Vol 4, No 1(11) (2012) |
On the character transformation in the Russian Cinema |
Abstract
PDF (Rus)
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Marina Alexandrovna Sharapova |
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| Vol 6, No 4(22) (2014) |
Time and Essence. Study of Cinema Product Temporal Analysis |
Abstract
PDF (Rus)
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|
Natalia Yevgenyevna Marievskaya |
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| Vol 4, No 1(11) (2012) |
Essential Peculiarities of Time Representation in the post-perestroika cinema |
Abstract
PDF (Rus)
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Maria Viktorovna Bezenkova |
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| Vol 7, No 2(24) (2015) |
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film |
Abstract
PDF (Rus)
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Alexey Olegovich Kiselev |
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| Vol 4, No 2-3(12-13) (2012) |
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films |
Abstract
PDF (Rus)
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|
Vladimir Sergeyevich Malyshev |
| |
| Vol 7, No 2(24) (2015) |
Stylistic Features Of Russian Arthouse |
Abstract
PDF (Rus)
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Vitaly Fyodorovich Poznin |
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| Vol 4, No 2-3(12-13) (2012) |
The Paradoxes of the Thaw Period |
Abstract
PDF (Rus)
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|
Lydia Alexeyevna Zaitseva |
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| Vol 7, No 2(24) (2015) |
Synthesis of National and Transnational in A. Konchalovsky's American Movies |
Abstract
PDF (Rus)
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Grigoriy Igorevich Kurdiaev |
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| Vol 4, No 2-3(12-13) (2012) |
Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» |
Abstract
PDF (Rus)
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|
Maria Victorovna Bezenkova |
| |
| Vol 7, No 3(25) (2015) |
Evolution of Dramaturgy of Fiction Popular Science Films |
Abstract
PDF (Rus)
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Mikhail N. Kolodinskiy |
| |
| Vol 4, No 2-3(12-13) (2012) |
Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century |
Abstract
PDF (Rus)
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|
Andrey Mikhailovich Burov |
| |
| Vol 7, No 3(25) (2015) |
Representation of Youth in Soviet Cinema of the 1950s |
Abstract
PDF (Rus)
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|
Vera V. Zharikova |
| |
| Vol 4, No 2-3(12-13) (2012) |
The Image of Home in Cinema |
Abstract
PDF (Rus)
|
|
Olga Kirillovna Reizen |
| |
| Vol 7, No 4(26) (2015) |
Countercommunicative Mechanisms in the Artistic Practice of Cinema |
Abstract
PDF (Rus)
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|
Lyudmila B. Klyueva |
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