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| Issue |
Title |
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| Vol 12, No 4(46) (2020) |
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema |
Abstract
PDF (Rus)
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|
Maria R. Chirkina |
| |
| Vol 12, No 4(46) (2020) |
Sound Space of M.Garrone’s Films: from Fiction to Reality |
Abstract
PDF (Rus)
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|
Julia V. Sorokina |
| |
| Vol 11, No 4(42) (2019) |
Agnes’ Self-Reflection in Ingmar Bergman’s Cries and Whispers |
Abstract
PDF (Rus)
|
|
Maria V. Solovyova |
| |
| Vol 12, No 1(43) (2020) |
A Screen Version of the Story of Salinger Translated into Farsi |
Abstract
PDF (Rus)
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|
Natalya G. Grigoreva |
| |
| Vol 12, No 2(44) (2020) |
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen |
Abstract
PDF (Rus)
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|
Natalya G. Grigorieva |
| |
| Vol 12, No 2(44) (2020) |
Palestine in Foreign Cinema |
Abstract
PDF (Rus)
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|
Nassar Ali Nemer |
| |
| Vol 11, No 3(41) (2019) |
Sound in the Films of Michael Haneke from the Perspective of Phenomenological Aesthetics |
Abstract
PDF (Rus)
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|
Julia V. Mikheeva |
| |
| Vol 11, No 3(41) (2019) |
The Story of One Crime: In Life, in Literature and in Cinema |
Abstract
PDF (Rus)
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|
Irina A. Zvegintseva |
| |
| Vol 11, No 1(39) (2019) |
Австралийский кинематограф: трансформация проблем молодежи в ходе времени |
Abstract
PDF (Rus)
|
|
Irina Zvegintsevа |
| |
| Vol 11, No 2(40) (2019) |
Existential Problematics in the Films of Pedro Costa |
Abstract
PDF (Rus)
|
|
Vladlena O. Sandu |
| |
| Vol 10, No 3(37) (2018) |
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal |
Abstract
PDF (Rus)
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|
Svetlana A. Smagina |
| |
| Vol 10, No 3(37) (2018) |
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? |
Abstract
PDF (Rus)
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|
Daria E. Khokhlova |
| |
| Vol 10, No 4(38) (2018) |
The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century |
Abstract
PDF (Rus)
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|
Svetlana A. Smagina |
| |
| Vol 7, No 3(25) (2015) |
Video Aesthetics in Cinema and Video Art |
Abstract
PDF (Rus)
|
|
Daniil D. Smolev |
| |
| Vol 7, No 4(26) (2015) |
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films |
Abstract
PDF (Rus)
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|
Maxim V. Lyubovich |
| |
| Vol 7, No 4(26) (2015) |
The Theme of Apocalypse in Australian Cinema |
Abstract
PDF (Rus)
|
|
Irina A. Zvegintseva |
| |
| Vol 8, No 2(28) (2016) |
Isao Takahata’s Nostalgia |
Abstract
PDF (Rus)
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|
Lamara L. Karchava |
| |
| Vol 8, No 2(28) (2016) |
Primary Cinema Sources of American Noir |
Abstract
PDF (Rus)
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|
Kasym N. Orozbaev |
| |
| Vol 4, No 2-3(12-13) (2012) |
Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema |
Abstract
PDF (Rus)
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|
Olga Kirillovna Reizen |
| |
| Vol 8, No 3(29) (2016) |
The Influence of the Painting Tradition on Derek Jarman’s Films |
Abstract
PDF (Rus)
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|
Irina V. Denisova |
| |
| Vol 4, No 2-3(12-13) (2012) |
«Terra Incognita» Cinema |
Abstract
PDF (Rus)
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|
Irina Anatolyaevna Zvegintseva |
| |
| Vol 8, No 3(29) (2016) |
Specifics of Imaginative Approach in the US Documentary of 1960-2000s |
Abstract
PDF (Rus)
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|
Maksim F. Kazyutchits |
| |
| Vol 4, No 4(14) (2012) |
Scenic birth of “Waiting for Godot” by Samuel Beckett |
Abstract
PDF (Rus)
|
|
Marina Gennadievna Anishchenko |
| |
| Vol 8, No 3(29) (2016) |
Indian Cinema: Past and Present |
Abstract
PDF (Rus)
|
|
Darya N. Nefedova |
| |
| Vol 5, No 2(16) (2013) |
Algeria: Birth of Cinema |
Abstract
PDF (Rus)
|
|
Anatoliy Sergeyevich Shakhov |
| |
| Vol 8, No 3(29) (2016) |
A Criminal as the Main Movie Character, or Old Themes and New Solutions |
Abstract
PDF (Rus)
|
|
Irina A. Zvegintseva |
| |
| Vol 5, No 3(17) (2013) |
Camp Aesthetics and Movie Mix |
Abstract
PDF (Rus)
|
|
Nina Alexandrovna Tsyrkun |
| |
| Vol 9, No 1(31) (2017) |
Screen Image and the System of expressive Means in American Documentary of the 1960s |
Abstract
PDF (Rus)
|
|
Maksim F. Kazyutchits |
| |
| Vol 5, No 4(18) (2013) |
The Visible and Invisible Worlds in Louis Bunuel’s “Viridiana” |
Abstract
PDF (Rus)
|
|
Roman Maksovich Perelshtein |
| |
| Vol 9, No 1(31) (2017) |
Style “Noir” in Classical and Contemporary Art History |
Abstract
PDF (Rus)
|
|
Kasym N. Orozbaev |
| |
| Vol 6, No 1(19) (2014) |
The Silent Era in Australian Cinema |
Abstract
PDF (Rus)
|
|
Irina Anatolyevna Zvegintseva |
| |
| Vol 9, No 1(31) (2017) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
Abstract
PDF (Rus)
|
|
Editorial Article |
| |
| Vol 6, No 4(22) (2014) |
Phenomenon of Political Biopic in the English-Language Cinema |
Abstract
PDF (Rus)
|
|
Irina Victorovna Morozova |
| |
| Vol 7, No 2(24) (2015) |
World War II in the Cinema of Green Continent |
Abstract
PDF (Rus)
|
|
Irina Anatolyevna Zvegintseva |
| |
| Vol 7, No 2(24) (2015) |
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis |
Abstract
PDF (Rus)
|
|
Kristina Olegovna Ivannikova |
| |
| Vol 7, No 3(25) (2015) |
Iran in Contemporary Russian Cinema (Film’s Visual Formula) |
Abstract
PDF (Rus)
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|
Akhmad Mir Akhorli |
| |
| Vol 5, No 1(15) (2013) |
«Drowning by Numbers» by Peter Greenaway in light of surrealism |
Abstract
PDF (Rus)
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|
Roman Maksovich Perelshtein |
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