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| Issue |
Title |
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| Vol 12, No 4(46) (2020) |
From a Screen Document to a Poetic Image. Making Sense |
Abstract
PDF (Rus)
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Galina S. Prozhiko |
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| Vol 12, No 2(44) (2020) |
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema |
Abstract
PDF (Rus)
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Vladimir S. Malyshev |
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| Vol 12, No 2(44) (2020) |
The Image and Sound of War in the Films “The Ascent” and “Come and See” |
Abstract
PDF (Rus)
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|
Irina V. Prozorovskaya |
| |
| Vol 12, No 3(45) (2020) |
S. Eisenstein. Aggression of Discourse: Theoretical Justification |
Abstract
PDF (Rus)
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Lyudmila B. Klyueva |
| |
| Vol 11, No 4(42) (2019) |
CILECT as the Project of a World Film School: Origins, Specifics, Development |
Abstract
PDF (Rus)
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|
Vladimir S. Malyshev |
| |
| Vol 11, No 3(41) (2019) |
Sergei Eisenstein's Ideas in the Context of Modern Cinema Art. Audiovisual Counterpoint |
Abstract
PDF (Rus)
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|
E. A. Rusinova |
| |
| Vol 11, No 2(40) (2019) |
The Environment of the Cinematic Spectacle. The Architecture of the Early Russian Movie Theaters |
Abstract
PDF (Rus)
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|
Alexander Anisimov |
| |
| Vol 12, No 1(43) (2020) |
The Struggle for the Far East in the Interpretation of the Vasilyev Brothers |
Abstract
PDF (Rus)
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|
M. A. Rostotskaya |
| |
| Vol 11, No 1(39) (2019) |
Кинематографические медиа в цифровой культуре |
Abstract
PDF (Rus)
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| Vol 11, No 1(39) (2019) |
Звуковое пространство города как отражение «духа времени» и внутреннего мира киногероя |
Abstract
PDF (Rus)
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| Vol 10, No 4(38) (2018) |
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker |
Abstract
PDF (Rus)
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|
Vladimir S. Malyshev |
| |
| Vol 7, No 3(25) (2015) |
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation |
Abstract
PDF (Rus)
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|
Varvara A. Zhdanova |
| |
| Vol 3, No 4(10) (2011) |
Moral Aspects of Russian PreRevolutionary Cinema |
Abstract
PDF (Rus)
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Marianna Albertovna Rostotskaya |
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| Vol 7, No 3(25) (2015) |
Functional Duality of Cinema |
Abstract
PDF (Rus)
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|
Alexander A. Ushkarev |
| |
| Vol 3, No 4(10) (2011) |
The Significance of Myth in the Work of Andrey Zvyagintsev |
Abstract
PDF (Rus)
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Ljudmila Borisovna Kljueva |
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| Vol 7, No 4(26) (2015) |
Toward the Sociological Rationalization of State Film Policy |
Abstract
PDF (Rus)
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Mikhail I. Zhabskiy |
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| Vol 4, No 1(11) (2012) |
Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov |
Abstract
PDF (Rus)
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Marianna Albertovna Rostotskaya |
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| Vol 7, No 4(26) (2015) |
The 60s. Half a Century Later. Nostalgia |
Abstract
PDF (Rus)
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Galina S. Prozhiko |
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| Vol 4, No 1(11) (2012) |
Mirror and its Semiotic Modifications in Culture |
Abstract
PDF (Rus)
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Ljudmila Borisovna Kljueva |
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| Vol 8, No 2(28) (2016) |
Animated Poster: Its Origins, Specificity and Peculiarity |
Abstract
PDF (Rus)
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Natalia G. Krivulya |
| |
| Vol 4, No 4(14) (2012) |
The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory |
Abstract
PDF (Rus)
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Ljudmila Borisovna Kluyeva |
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| Vol 8, No 2(28) (2016) |
Structural Analysis of Film Characters |
Abstract
PDF (Rus)
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|
Mikhail E. Boyko |
| |
| Vol 5, No 2(16) (2013) |
Film as Text. Some Aspects of Text Analysis |
Abstract
PDF (Rus)
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|
Ljudmila Borisovna Kluyeva |
| |
| Vol 8, No 3(29) (2016) |
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream |
Abstract
PDF (Rus)
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Nina Yu. Sputnitskaya |
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| Vol 5, No 2(16) (2013) |
American cinema of the Great Depression. The «Social Restlessness Phase» |
Abstract
PDF (Rus)
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Dmitriy Vladislavovich Zakharov |
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| Vol 8, No 3(29) (2016) |
Development of the Animated Poster in the First Half of the XX century |
Abstract
PDF (Rus)
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|
Natalia G. Krivulya |
| |
| Vol 5, No 3(17) (2013) |
The Myth of the Authenticity of the Wartime Newsreels |
Abstract
PDF (Rus)
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|
Galina Semyonovna Prozhiko |
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| Vol 5, No 4(18) (2013) |
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's |
Abstract
PDF (Rus)
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|
Marina Ivanovna Kosinova |
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| Vol 5, No 1(15) (2013) |
Does cinema remain the driving force of screen culture? |
Abstract
PDF (Rus)
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Natalia Borisovna Kirillova |
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| Vol 5, No 4(18) (2013) |
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants |
Abstract
PDF (Rus)
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Anastasia Aleksandrovna Fyodorova |
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| Vol 6, No 1(19) (2014) |
Soviet cinema as a state budget’s contributor. Distribution in the 1930s |
Abstract
PDF (Rus)
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Marina Ivanovna Kosinova |
| |
| Vol 6, No 2(20) (2014) |
Cinema Policy of Simple Solutions |
Abstract
PDF (Rus)
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|
Mikhail Ivanovich Zhabsky |
| |
| Vol 6, No 4(22) (2014) |
Film Studies As a Normative Academic Discipline |
Abstract
PDF (Rus)
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Irina Petrovna Nikitina, Alexander Arkhipovich Ivin |
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| Vol 7, No 2(24) (2015) |
Eisenstein’s Aesthetics in Semiotic Perspective |
Abstract
PDF (Rus)
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Nikolai Andreyevich Khrenov |
| |
| Vol 7, No 2(24) (2015) |
From Theory to Methodology of Cinema |
Abstract
PDF (Rus)
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Sergey Yuryevich Schtein |
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