| |
| Issue |
Title |
| |
| Vol 15, No 3(57) (2023) |
Theoretical and Practical Aspects of Building ‘Quiet Spots’ in a Film’s Soundtrack |
Abstract
PDF (Rus)
|
|
Ju. V. Mikheeva, E. A. Rusinova |
| |
| Vol 15, No 3(57) (2023) |
Artistic composition as an integral system |
Abstract
PDF (Rus)
|
|
A. V. Sveshnikov |
| |
| Vol 15, No 3(57) (2023) |
Filming Techniques as a Means of Creating a New Cinematic Reality |
Abstract
PDF (Rus)
|
|
D. I. Masurenkov |
| |
| Vol 15, No 4(58) (2023) |
St. Petersburg State University of Industrial Technologies and Design |
Abstract
PDF (Rus)
|
|
M. E. Vilchinskaya-Butenko, Z. Soleymanfar |
| |
| Vol 15, No 4(58) (2023) |
Creating Silence in the Soundtrack and the Aesthetics of the Film: Academic Principles |
Abstract
PDF (Rus)
|
|
Ju. V. Mikheeva, E. A. Rusinova |
| |
| Vol 15, No 4(58) (2023) |
Montage Principle in Sketching for a Film |
Abstract
PDF (Rus)
|
|
A. V. Sveshnikov |
| |
| Vol 15, No 1(55) (2023) |
Modernization of Folklore Canons in XXI Century National Film Tales |
Abstract
PDF (Rus)
|
|
P. Y. Zernova |
| |
| Vol 15, No 1(55) (2023) |
Musical Sphere of Video Clips in Multimedia Space |
Abstract
PDF (Rus)
|
|
N. I. Utilova |
| |
| Vol 15, No 2(56) (2023) |
Costume as a Component of Film Image and an Indicator of Socio-cultural Changes in Society |
Abstract
PDF (Rus)
|
|
F. M. Provotorov |
| |
| Vol 15, No 2(56) (2023) |
Modification of Visual Styles in Computer Animation |
Abstract
PDF (Rus)
|
|
N. Y. Yarovaya |
| |
| Vol 14, No 4(54) (2022) |
Film Reality as a Model for the Development of Modern Media |
Abstract
PDF (Rus)
|
|
B. S. Shimokhin, S. S. Kuleshov |
| |
| Vol 14, No 4(54) (2022) |
Specific Aspects of Using Artificial Intelligence in Film and Media Industry |
Abstract
PDF (Rus)
|
|
I. V. Zuikov |
| |
| Vol 14, No 4(54) (2022) |
Laughter as a Plot-forming Factor in the Dramaturgy of a Film |
Abstract
PDF (Rus)
|
|
E. M. Tyutina |
| |
| Vol 14, No 3(53) (2022) |
Musical Instrument’s Timbre as the Semantic Dominant in Sound Design of a Film. Violoncello |
Abstract
PDF (Rus)
|
|
E. A. Rusinova |
| |
| Vol 14, No 3(53) (2022) |
Students' Notions of Artistic Objectives and Insufficient Skills for Accomplishing Them |
Abstract
PDF (Rus)
|
|
A. V. Sveshnikov |
| |
| Vol 14, No 2(52) (2022) |
The Algorithm of Monomyth in the Dramaturgy of Film |
Abstract
PDF (Rus)
|
|
R. M. Perelshtein |
| |
| Vol 14, No 2(52) (2022) |
Color in the Creation of the Story and Image Concept of the Film |
Abstract
PDF (Rus)
|
|
E. Yu. Shmakova |
| |
| Vol 13, No 4(50) (2021) |
On the Characters’ Typology in Russian Film Comedy |
Abstract
PDF (Rus)
|
|
A. S. Gabliya |
| |
| Vol 13, No 4(50) (2021) |
Digital Cinema From the Perspective of the “Sinister Valley Effect” |
Abstract
PDF (Rus)
|
|
I. V. Zuikov |
| |
| Vol 13, No 4(50) (2021) |
Styles and Genres of Film Poster. Terminological Aspect |
Abstract
PDF (Rus)
|
|
Е. M. Mihalkina |
| |
| Vol 14, No 1(51) (2022) |
Representation of a Movie Character’s Inner Conflict in a Labyrinthine Space |
Abstract
PDF (Rus)
|
|
A. I. Kasmynin |
| |
| Vol 13, No 3(49) (2021) |
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema |
Abstract
PDF (Rus)
|
|
V. V. Marusenkov |
| |
| Vol 13, No 3(49) (2021) |
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries |
Abstract
PDF (Rus)
|
|
M. N. Koneva |
| |
| Vol 13, No 2(48) (2021) |
The Perception of a Contemporary in Non-fiction Films |
Abstract
PDF (Rus)
|
|
A. A. Shtandke |
| |
| Vol 13, No 2(48) (2021) |
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions |
Abstract
PDF (Rus)
|
|
Yu. A. Oseeva |
| |
| Vol 13, No 2(48) (2021) |
Compositional Objectives of Academic Drawing |
Abstract
PDF (Rus)
|
|
A. V. Sveshnikov |
| |
| Vol 13, No 1(47) (2021) |
VR-technologies in Animation |
Abstract
PDF (Rus)
|
|
N. U. Yarovaya |
| |
| Vol 13, No 1(47) (2021) |
Folklore Traditions of the Sverdlovsk Animation School |
Abstract
PDF (Rus)
|
|
Yu. V. Tomilov |
| |
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