| |
| Issue |
Title |
| |
| Vol 17, No 4(66) (2025) |
The Renaissance Archetype in Contemporary Television News |
Abstract
PDF (Rus)
|
|
E. N. Lavrova |
| |
| Vol 15, No 1(55) (2023) |
Creative Industries as a Metasystem and a Factor of Social Adaptation in a New Digital Reality |
Abstract
PDF (Rus)
|
|
S. L. Urazova |
| |
| Vol 15, No 2(56) (2023) |
Methodology of on-Screen Adaptation of a Visual Copy of an Object in Mise-en-Scene |
Abstract
PDF (Rus)
|
|
V. V. Shabalin |
| |
| Vol 14, No 4(54) (2022) |
Deconstruction of the Image of a Crime Boss in Russian TV Series in the Early 21st Century |
Abstract
PDF (Rus)
|
|
M. A. Radaev |
| |
| Vol 14, No 3(53) (2022) |
Endogenous Process of Visual Communication of Adjacent Shots in TV Editing |
Abstract
PDF (Rus)
|
|
V. V. Shabalin |
| |
| Vol 14, No 2(52) (2022) |
Film and Television: Making of A Mutually Beneficial Alliance |
Abstract
PDF (Rus)
|
|
G. P. Bakulev |
| |
| Vol 13, No 4(50) (2021) |
Social Media Video Content as a New Toolkit for Screen Arts |
Abstract
PDF (Rus)
|
|
B. A. Tyurin |
| |
| Vol 14, No 1(51) (2022) |
The Role of the Video Clip in Modern Visual Culture |
Abstract
PDF (Rus)
|
|
N. I. Utilova |
| |
| Vol 13, No 3(49) (2021) |
Fluctuations in the Media Market in an Era of Communication Abundance |
Abstract
PDF (Rus)
|
|
S. L. Urazova |
| |
| Vol 13, No 2(48) (2021) |
Contemporary TV Series: Narrative and Genre Metamorphoses |
Abstract
PDF (Rus)
|
|
Ya. A. Parkhomenko |
| |
| Vol 13, No 1(47) (2021) |
Convergent Audience: Research Approaches |
Abstract
PDF (Rus)
|
|
G. P. Bakulev |
| |
| Vol 15, No 3(57) (2023) |
Neuromedia as a New Format of Digital Reality Images |
Abstract
PDF (Rus)
|
|
S. L. Urazova |
| |
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