| |
| Issue |
Title |
| |
| Vol 17, No 3(65) (2025) |
Biography as a Universal Film Structure |
Abstract
PDF (Rus)
|
|
D. S. Osinkin |
| |
| Vol 17, No 3(65) (2025) |
Cross-Сultural Aspects of the Expressive Language of Technical Visual Arts Becoming in the West and in China |
Abstract
PDF (Rus)
|
|
S. A. Dzikevich, Hu Jiaming |
| |
| Vol 17, No 3(65) (2025) |
“Cinema of Slowness” and “Boring” Video Art: Rethinking Time in the Moving Image |
Abstract
PDF (Rus)
|
|
A. D. Persheeva |
| |
| Vol 17, No 2(64) (2025) |
The Image of a Musician in a Film: Typological Analysis |
Abstract
PDF (Rus)
|
|
Ju. V. Mikheeva |
| |
| Vol 17, No 2(64) (2025) |
The Possibilities of Cinema in Overcoming the Crisis of Cultural Identity |
Abstract
PDF (Rus)
|
|
V. V. Novoselskaya |
| |
| Vol 17, No 2(64) (2025) |
The Trailer's Place in the Modern Media Space, Semiotic Aspects |
Abstract
PDF (Rus)
|
|
V. M. Ovchinnikov |
| |
| Vol 17, No 2(64) (2025) |
The Long Take and its Prototypes |
Abstract
PDF (Rus)
|
|
M. S. Bavykina |
| |
| Vol 17, No 1(63) (2025) |
The Image of a Musician in a Film: Typological Analysis |
Abstract
PDF (Rus)
|
|
J. V. Mikheeva |
| |
| Vol 17, No 1(63) (2025) |
Optical Equipment as an Instrument for Creative Interpretation of the Filmed Reality |
Abstract
PDF (Rus)
|
|
D. I. Masurenkov |
| |
| Vol 17, No 1(63) (2025) |
Peculiarities of Perception and the Place of the Viewer in the “Spherical” Cinematic Space |
Abstract
PDF (Rus)
|
|
O. V. Dobrynin |
| |
| Vol 17, No 1(63) (2025) |
Optical Equipment as an Instrument for Creative Interpretation of the Filmed Reality |
Abstract
PDF (Rus)
|
|
D. I. Masurenkov |
| |
| Vol 16, No 4(62) (2024) |
Methodologic Aspects of Film Studies |
Abstract
PDF (Rus)
|
|
I. P. Nikitina |
| |
| Vol 16, No 4(62) (2024) |
Artistic Composition as an Integral System |
Abstract
PDF (Rus)
|
|
A. V. Sveshnikov |
| |
| Vol 16, No 4(62) (2024) |
Interrelationship between Multichannel Sound Formats and the “Embodiment” in Cinema |
Abstract
PDF (Rus)
|
|
E. A. Rusinova |
| |
| Vol 16, No 4(62) (2024) |
The Dominant Images and Motifs of the US Cinema and Its Impact on the Viewer’s Morals |
Abstract
PDF (Rus)
|
|
M. I. Yanovsky |
| |
| Vol 16, No 3(61) (2024) |
Agrarian Sacrifice Ritual in the Film’s Narration |
Abstract
PDF (Rus)
|
|
I. K. Seliverstov |
| |
| Vol 16, No 3(61) (2024) |
The Image of a Genius in Biopics |
Abstract
PDF (Rus)
|
|
D. S. Osinkin |
| |
| Vol 16, No 3(61) (2024) |
Correlation of New Media and Post-Cinema |
Abstract
PDF (Rus)
|
|
V. O. Gorokhova |
| |
| Vol 16, No 2(60) (2024) |
The many-faced film quality |
Abstract
PDF (Rus)
|
|
M. I. Zhabskiy, К. А. Tarasov |
| |
| Vol 16, No 1(59) (2024) |
Spherical Cinema: Transformation of Film Language in Virtual Reality |
Abstract
PDF (Rus)
|
|
O. V. Dobrynin |
| |
| Vol 16, No 1(59) (2024) |
Toward Metamodernism: The Phenomenon of ‘‘Slow’’ Cinema |
Abstract
PDF (Rus)
|
|
N. A. Zimenkov |
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