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| Issue |
Title |
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| Vol 15, No 3(57) (2023) |
Toward the Question of Writing a History of Cinema in the Context of Time |
Abstract
PDF (Rus)
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|
V. V. Vinogradov |
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| Vol 15, No 3(57) (2023) |
Film as a Means of Social-aesthetic Communication: Substantiation of Historical Mission |
Abstract
PDF (Rus)
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M. I. Zhabskiy, К. А. Tarasov |
| |
| Vol 15, No 4(58) (2023) |
The Satanic Cycle in the Cinema of Russian Modern |
Abstract
PDF (Rus)
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|
M. A. Palshkova |
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| Vol 15, No 1(55) (2023) |
Film Chronicle of the First World War: Meanings and Significance |
Abstract
PDF (Rus)
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V. K. Belyakov |
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| Vol 15, No 1(55) (2023) |
The Process of Film Education of School Students in an Sociocommunicative Perspective |
Abstract
PDF (Rus)
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M. I. Zhabskiy, К. А. Tarasov |
| |
| Vol 15, No 2(56) (2023) |
“We Were Born to Make a Fairy Tale Come True…” Myth–Making of the National Newsreels of the 1930s |
Abstract
PDF (Rus)
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|
G. S. Prozhiko |
| |
| Vol 15, No 2(56) (2023) |
The Socio-Cultural Nature of the Canon: The Art and Cinema of the Stalinist Era |
Abstract
PDF (Rus)
|
|
N. V. Kotik |
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| Vol 15, No 3(57) (2023) |
M.I. Romm's Creative Principles in Film Pedagogy: Theoretical Foundations and Teaching Practices |
Abstract
PDF (Rus)
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|
V. S. Malyshev |
| |
| Vol 14, No 4(54) (2022) |
Frame-by-frame Analysis in the Analytical Study of the Film |
Abstract
PDF (Rus)
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L. B. Klyueva |
| |
| Vol 14, No 3(53) (2022) |
Hero, Society and History in the National Cinema of the 1960s–1970s |
Abstract
PDF (Rus)
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|
V. S. Malyshev |
| |
| Vol 14, No 2(52) (2022) |
New Approaches to the Study of the History of the Latest Russian Cinema |
Abstract
PDF (Rus)
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V. S. Malyshev |
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| Vol 14, No 2(52) (2022) |
Are There Many Masterpieces, or What Will the Historical Heritage of the National Documentary Production of 2010-2020 Be? |
Abstract
PDF (Rus)
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|
G. S. Prozhiko |
| |
| Vol 14, No 1(51) (2022) |
Touches: the Invisible and Unobserved in the Film's Intra-frame Space |
Abstract
PDF (Rus)
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|
Ju. V. Mikheeva |
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| Vol 13, No 3(49) (2021) |
On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing |
Abstract
PDF (Rus)
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|
L. B. Klyueva |
| |
| Vol 13, No 3(49) (2021) |
Alexander Dovzhenko. Poetic Space of Immortality |
Abstract
PDF (Rus)
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V. V. Vinogradov |
| |
| Vol 13, No 4(50) (2021) |
The Birth of Substantive Text from Adopted Material |
Abstract
PDF (Rus)
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|
G. S. Prozhiko |
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| Vol 13, No 2(48) (2021) |
Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema |
Abstract
PDF (Rus)
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|
L. B. Klyueva |
| |
| Vol 13, No 2(48) (2021) |
Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama |
Abstract
PDF (Rus)
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A. I. Kasmynin |
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| Vol 13, No 1(47) (2021) |
The Evolution of the Concept of the Victory in Russian Documentary Cinema |
Abstract
PDF (Rus)
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|
G. S. Prozhiko |
| |
| Vol 10, No 1(35) (2018) |
The Birth of Cinema in the Russian Empire and Film Censorship |
Abstract
PDF (Rus)
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|
Natascha L. Drubek |
| |
| Vol 10, No 1(35) (2018) |
On «Pretty Young Lady», Dos Passos and the Textology of «Art» |
Abstract
PDF (Rus)
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|
Vladimir V. Zabrodin |
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