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| Issue |
Title |
| |
| Vol 11, No 1(39) (2019) |
VR Technologies in Docudrama |
Abstract
PDF (Rus)
|
|
Natalia Stezhko |
| |
| Vol 8, No 4(30) (2016) |
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film |
Abstract
PDF (Rus)
|
|
Daria S. Kropova |
| |
| Vol 8, No 4(30) (2016) |
“Provincial” Cinema on Global Orbits |
Abstract
PDF (Rus)
|
|
Natalia B. Kirillova |
| |
| Vol 9, No 4(34) (2017) |
Film Reconstruction of the Past as a Method of Understanding Reality |
Abstract
PDF (Rus)
|
|
Vyacheslav V. Marusenkov |
| |
| Vol 9, No 4(34) (2017) |
Metaphor in Cinema: Specifics of its Creation and Perception |
Abstract
PDF (Rus)
|
|
Vitaliy F. Poznin |
| |
| Vol 9, No 4(34) (2017) |
Criteria of Composition of Documentaries about Nature |
Abstract
PDF (Rus)
|
|
Nadezhda N. Berkova |
| |
| Vol 9, No 4(34) (2017) |
Hearing and Speech Voice Expressiveness of the Actor |
Abstract
PDF (Rus)
|
|
Irina A. Avtushenko |
| |
| Vol 10, No 1(35) (2018) |
Grief as a Cognitive Metaphore in “Manchester by the Sea” |
Abstract
PDF (Rus)
|
|
Nina А. Tsyrkun |
| |
| Vol 10, No 1(35) (2018) |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
Abstract
PDF (Rus)
|
|
Vasily N Novikov |
| |
| Vol 10, No 1(35) (2018) |
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century |
Abstract
PDF (Rus)
|
|
Xenia A. Melekhova |
| |
| Vol 10, No 1(35) (2018) |
Maurice Maeterlinck’s Philosophy of Art |
Abstract
PDF (Rus)
|
|
Nadezhda B. Mankovskaya |
| |
| Vol 10, No 2(36) (2018) |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
Abstract
PDF (Rus)
|
|
Vasily N. Novikov |
| |
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