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| Issue |
Title |
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| Vol 17, No 3(65) (2025) |
The Transformation of Anti-Messianic Discourse in Todd Phillips's film ‘‘Joker: Folie à Deux’’ |
Abstract
PDF (Rus)
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M. A. Palshkova |
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| Vol 17, No 3(65) (2025) |
Man and the World Around in Vahid Jalilvand’s |
Abstract
PDF (Rus)
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N. G. Grigorieva, I. V. Morozova |
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| Vol 17, No 2(64) (2025) |
Longing for Sacrifice in “The Devil, Probably” by R. Bresson |
Abstract
PDF (Rus)
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I. K. Seliverstov |
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| Vol 17, No 2(64) (2025) |
North Korean Cinema: Past and Present |
Abstract
PDF (Rus)
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K. V. Prokhorov |
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| Vol 17, No 2(64) (2025) |
The Evolution of Existentialist Ideas in Michel Houellebecq's Work and Film Adaptations of His Prose |
Abstract
PDF (Rus)
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I. I. Ivanchenko |
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| Vol 17, No 1(63) (2025) |
“Dancer in the Dark” (Lars von Trier, 2000) as a Case Study on the Transformation of the Musical Genre in Modern Cinema |
Abstract
PDF (Rus)
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Yu. O. Vinar |
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| Vol 17, No 1(63) (2025) |
From direct cinema to gamecore: creative evolution of Harmony Korine |
Abstract
PDF (Rus)
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N. A. Tsyrkun |
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| Vol 17, No 1(63) (2025) |
Representation of Road in Cinema |
Abstract
PDF (Rus)
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O. K. Reizen |
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| Vol 17, No 1(63) (2025) |
The Evolution of the Female Character in Jafar Panahi’s Films |
Abstract
PDF (Rus)
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N. G. Grigorieva |
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| Vol 16, No 4(62) (2024) |
Hoffmannian Traditions in David Lynch's TV series “Twin Peaks” |
Abstract
PDF (Rus)
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V. V. Koroleva, A. R. Pritomskaya |
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| Vol 16, No 4(62) (2024) |
The Eccentricity of Male and Female Characters in the Film “Balzaminov’s Marriage” |
Abstract
PDF (Rus)
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O. A. Lavrenova |
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| Vol 16, No 3(61) (2024) |
The Phenomenon of Resacralization in the New French Extremity Films |
Abstract
PDF (Rus)
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V. A. Akimov |
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| Vol 16, No 3(61) (2024) |
Crime as a Search for the Transcendental |
Abstract
PDF (Rus)
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A. V. Vinogorodskaya |
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| Vol 16, No 3(61) (2024) |
Actualised Transformation of a Monster in Big Screen Adaptations of Richard Matheson’s I am Legend |
Abstract
PDF (Rus)
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D. V. Litvina |
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| Vol 16, No 2(60) (2024) |
«Expressive movement» as the creation of super-authenticity in the cinema of K. Saura (using the example of the trilogy «Bloody Wedding», «Carmen», «Witchcraft Love») |
Abstract
PDF (Rus)
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Yu. O. Vinar |
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| Vol 16, No 2(60) (2024) |
Interpretations of the existentialist ideas of Albert Camus in the film adaptations of the novel «The Plague» |
Abstract
PDF (Rus)
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I. I. Ivanchenko |
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| Vol 16, No 1(59) (2024) |
‘‘Faces of Death” in Andy Warhol’s early films |
Abstract
PDF (Rus)
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A. S. Simindeikin |
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