MODERN FILM PROCESS
| Issue | Title | |
| Vol 17, No 3(65) (2025) | Axiological Aspects of the Interaction Between the Mainstream Russian Cinema and the Audience | Abstract PDF (Rus) |
| R. V. Frolova | ||
| Vol 17, No 1(63) (2025) | The Semantic Potential of the Koshchei Archetype in Modern Russian Cinema | Abstract PDF (Rus) |
| P. Y. Zernova | ||
| Vol 16, No 2(60) (2024) | The will to death as Russian fate in K. Lopushansky’s film «Role» | Abstract PDF (Rus) |
| V. V. Vinogradov | ||
| Vol 16, No 2(60) (2024) | The image of space on the modern screen as an experience of myth-making | Abstract PDF (Rus) |
| V. V. Marusenkov | ||
| Vol 16, No 2(60) (2024) | «There Is No Flame, Only Smoke Lingers»: the Image of a Rock Musician in Modern Russian Cinema | Abstract PDF (Rus) |
| S. A. Smagina | ||
| Vol 16, No 1(59) (2024) | On Some Trends of the “Women’s Wave” of in Modern Russian Cinema | Abstract PDF (Rus) |
| S. A. Smagina | ||
| Vol 16, No 1(59) (2024) | The figurative structure of Yakut new wave films in the context of national mythology | Abstract PDF (Rus) |
| A. V. Grishina | ||
| Vol 16, No 1(59) (2024) | Russian Ballet School on the Screen as a Mythologeme of the Modern Socio-Cultural Paradigm | Abstract PDF (Rus) |
| V. V. Marusenkov | ||
| 1 - 8 of 8 Items | ||
