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| Issue |
Title |
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| Vol 17, No 2(64) (2025) |
Cinematic Representation of the Great Patriotic War as the Main Mythologeme of the Modern Socio-Cultural Paradigm |
Abstract
PDF (Rus)
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|
V. V. Marusenkov |
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| Vol 17, No 2(64) (2025) |
Boris Vasiliev and Cinema. Some Details of the Artistic Concept |
Abstract
PDF (Rus)
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V. A. Karnyushin |
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| Vol 17, No 2(64) (2025) |
Lenin’s and Stalin’s Views on the Screen Presentation of Religion as Two Different Treatments of the Same Phenomenon |
Abstract
PDF (Rus)
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A. E. Kochetkova |
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| Vol 17, No 2(64) (2025) |
Archival Documents as a Source for Analyzing the Production Stages of the Film “Twelfth Night” (1955, directed by Y. Fried) |
Abstract
PDF (Rus)
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O. V. Kalko |
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| Vol 17, No 1(63) (2025) |
Screen Adaptation of the Tahir and Zuhrа Legend |
Abstract
PDF (Rus)
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M. M. Kuchkarov |
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| Vol 17, No 1(63) (2025) |
Mise en Abyme in the Cinema of the Silent Era |
Abstract
PDF (Rus)
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O. O. Sbitneva |
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| Vol 17, No 1(63) (2025) |
Totalitarian Regime through the Optics of TV Series: The Archetype of Paradise and the Dialectics of the State |
Abstract
PDF (Rus)
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M. A. Radaev |
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| Vol 16, No 4(62) (2024) |
“National heartbeat” of the Artist V.V. Arkhipov |
Abstract
PDF (Rus)
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O. K. Kleymenova |
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| Vol 16, No 4(62) (2024) |
“Empty Space” of the Civil War: Theatricalization of the theme on the Soviet Screen in 1960s |
Abstract
PDF (Rus)
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M. A. Palshkova |
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| Vol 16, No 4(62) (2024) |
The Problem of Artistry in Scientific Cinema of the 1930s (based on the Film “Physiology and Pathology of Higher Nervous Activity”) |
Abstract
PDF (Rus)
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S. V. Dymshits |
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| Vol 16, No 3(61) (2024) |
Texts From the Magazine Soviet Screen on Western Cinema From 1925 to 1991: Content Analysis |
Abstract
PDF (Rus)
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A. V. Fedorov, A. A. Levitskaya |
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| Vol 16, No 3(61) (2024) |
Brecht's Dialectical Dramaturgy in the Film Loveless by A. Zvyagintsev |
Abstract
PDF (Rus)
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E. V. Nosikova |
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| Vol 16, No 3(61) (2024) |
The Relationship between Visual Design and in Dramatic Structure S.I. Rostotsky‘s Work |
Abstract
PDF (Rus)
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E. M. Tyutina |
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| Vol 16, No 3(61) (2024) |
The story by B. Vasiliev Not listed and its screen adaptation by A. Malyukov I am a Russian soldier: the main images and conflicts |
Abstract
PDF (Rus)
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S. A. Smagina |
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| Vol 16, No 3(61) (2024) |
The Artistic and Pictorial Features of Presenting the World-Duality Motif in the Film Mr. Decorator |
Abstract
PDF (Rus)
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V. I. Dobrosmyslova |
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| Vol 16, No 3(61) (2024) |
From the Power over the Earth to the Power of the Earth |
Abstract
PDF (Rus)
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V. V. Vinogradov |
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| Vol 16, No 2(60) (2024) |
Mythologization of screen images of pre-revolutionary newsreels |
Abstract
PDF (Rus)
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V. K. Belyakov |
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| Vol 16, No 2(60) (2024) |
I.V. Stalin as a character in Soviet newsreels of the pre-war years (1930–1941) |
Abstract
PDF (Rus)
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D. L. Karavaev |
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| Vol 16, No 2(60) (2024) |
Church, Tsar, Cinema. The religious censorship of films in Russia in pre-revolutionary period |
Abstract
PDF (Rus)
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|
A. E. Kochetkova |
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| Vol 16, No 2(60) (2024) |
Texts from the magazine «Soviet Screen» on Western cinema from 1925 to 1991: content analysis |
Abstract
PDF (Rus)
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A. V. Fedorov, A. А. Levitskaya |
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| Vol 16, No 1(59) (2024) |
Soviet Historical Films as a Tool for Enlightening and Educating Modern Youth |
Abstract
PDF (Rus)
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|
V. S. Malyshev |
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| Vol 16, No 1(59) (2024) |
Modern Vision of Pre-Revolutionary Newsreels and Their Artistic Peculiarities |
Abstract
PDF (Rus)
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V. K. Belyakov |
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| Vol 16, No 1(59) (2024) |
Representation of World War One in Pre-Revolutionary Cinema in the Context of Russian Philosophy and Journalism of the Early Twentieth Century |
Abstract
PDF (Rus)
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V. V. Vinogradov |
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| Vol 16, No 1(59) (2024) |
Features of Atheistic Discourse in the Cinema of ‘‘Militant Atheism’’ of the 1920s |
Abstract
PDF (Rus)
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M. A. Palshkova |
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| Vol 16, No 1(59) (2024) |
On One Successful Screen Adaptation: the Long Life of G. Troepolsky's story “White Bim Black Ear” |
Abstract
PDF (Rus)
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M. A. Rostotskaya |
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