ПЕРФОРМАНС І ИСКУССТВО ВОПЛОЩЕНИЯ
| Issue | Title | |
| Vol 10, No 3(37) (2018) | Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries | Abstract PDF (Rus) |
| Tatiana S. Sergeeva | ||
| Vol 10, No 3(37) (2018) | Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness | Abstract PDF (Rus) |
| Dzhan I. Danilov | ||
| Vol 10, No 3(37) (2018) | The Doppelgänger Motif in the “New Sincerity” Cinema | Abstract PDF (Rus) |
| Mariya О. Kuznetsova | ||
| Vol 9, No 1(31) (2017) | Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy | Abstract PDF (Rus) |
| Svetlana S. Kozlova | ||
| Vol 9, No 1(31) (2017) | Music as a Part of the Theatrical Game of the Movie | Abstract PDF (Rus) |
| Yuliya V. Mikheeva | ||
| Vol 9, No 1(31) (2017) | ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА | Abstract PDF (Rus) |
| Editorial Article | ||
| Vol 9, No 2(32) (2017) | Compensatory Happy Ending as a Typological Group of a Film Finale | Abstract PDF (Rus) |
| Vasily A. Shevtsov | ||
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