| |
| Issue |
Title |
| |
| Vol 8, No 4(30) (2016) |
Travesty of the Sacred in Postmodernist Westerns |
Abstract
PDF (Rus)
|
|
Nina A. Tsyrkun |
| |
| Vol 8, No 4(30) (2016) |
Two Peoples, Two Worlds |
Abstract
PDF (Rus)
|
|
Irina A. Zvegintseva |
| |
| Vol 9, No 4(34) (2017) |
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s |
Abstract
PDF (Rus)
|
|
Maxim F. Kazyuchits |
| |
| Vol 10, No 1(35) (2018) |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
Abstract
PDF (Rus)
|
|
Elena A Rusinova, Elizaveta M. Habchuk |
| |
| Vol 10, No 1(35) (2018) |
The Transformation of the Jesse James’ Myth in Contemporary American Cinema |
Abstract
PDF (Rus)
|
|
Dmitry V. Zakharov |
| |
| Vol 10, No 1(35) (2018) |
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers |
Abstract
PDF (Rus)
|
|
Natalia G. Krivulya |
| |
| Vol 10, No 2(36) (2018) |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
Abstract
PDF (Rus)
|
|
Elena A. Rusinova, Elizaveta M. Khabchuk |
| |
| Vol 10, No 2(36) (2018) |
Screen Self-Reflection: Classification of Species |
Abstract
PDF (Rus)
|
|
Maria V. Solovyova |
| |
| Vol 10, No 2(36) (2018) |
Psychological Insight in Asgar Farhadi’s Early Films |
Abstract
PDF (Rus)
|
|
Natalya G. Grigorieva |
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