ПЕРФОРМАНС. ИСКУССТВО ВОПЛОЩЕНИЯ
| Issue | Title | |
| Vol 6, No 3(21) (2014) | Theatre and Document: Opposition or Integration? | Abstract PDF (Rus) |
| Galina Semyonovna Prozhiko | ||
| Vol 6, No 3(21) (2014) | Dynamics of Opera Screen Forms: Theoretical Aspects | Abstract PDF (Rus) |
| Alexandra Vadimovna Masyandjinova | ||
| Vol 6, No 3(21) (2014) | Cinematic Nature of English Pre-Raphaelites’ Painting | Abstract PDF (Rus) |
| Ada Vilisovna Bernatonite | ||
| Vol 7, No 1(23) (2015) | Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work | Abstract PDF (Rus) |
| Yulia Vsevolodovna Mikheyeva | ||
| Vol 8, No 1(27) (2016) | Lost in Translation: Songs in Foreign Films | Abstract PDF (Rus) |
| Yelizaveta N. Parfentyeva | ||
| Vol 8, No 1(27) (2016) | Landscape as a Leitmotif of a Film | Abstract PDF (Rus) |
| Nadezhda A. Shakhovskaya | ||
| Vol 8, No 1(27) (2016) | Directing “Mixed” Forms. Dialogue of Classical Traditions and Modern Creative Practice | Abstract PDF (Rus) |
| Anastasiya V. Yekimova | ||
| Vol 9, No 3(33) (2017) | Screen Imagery as Reflected through Mythologems | Abstract PDF (Rus) |
| V. V. Marusenkov | ||
| Vol 9, No 3(33) (2017) | Keynote Narration and Theory of Distance: Analysis of the Seasons | Abstract PDF (Rus) |
| S. V. Fedotkin | ||
| 1 - 9 of 9 Items | ||
