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| Issue |
Title |
| |
| Vol 10, No 3(37) (2018) |
Mythologeme of Asceticism in the National Cinema the 1930s |
Abstract
PDF (Rus)
|
|
Yuliya V. Zubkina |
| |
| Vol 10, No 3(37) (2018) |
The Influence of Far Eastern Culture on the Creative Work of S.M. Eisenstein |
Abstract
PDF (Rus)
|
|
Joon Il Song |
| |
| Vol 5, No 3(17) (2013) |
Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem |
Abstract
PDF (Rus)
|
|
Nikolai Andreyevich Khrenov |
| |
| Vol 5, No 3(17) (2013) |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
Abstract
PDF (Rus)
|
|
Yulia Vsevolodovna Mikheeva |
| |
| Vol 5, No 3(17) (2013) |
The Analysis of Artistic Time in the Theory of Film Dramaturgy |
Abstract
PDF (Rus)
|
|
Natalia Yevgenyevna Marievskaya |
| |
| Vol 9, No 1(31) (2017) |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
Abstract
PDF (Rus)
|
|
Elena A. Rusinova |
| |
| Vol 9, No 1(31) (2017) |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
Abstract
PDF (Rus)
|
|
Anastasia S. Arysheva |
| |
| Vol 9, No 1(31) (2017) |
Kinoteatr.doc in Search of the «Real» Movies |
Abstract
PDF (Rus)
|
|
Lidia V. Kuzmina |
| |
| Vol 9, No 2(32) (2017) |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
Abstract
PDF (Rus)
|
|
Stepan V. Fedotkin |
| |
| Vol 9, No 2(32) (2017) |
The Problem of Adaptation of Utopias in Russian Cinema |
Abstract
PDF (Rus)
|
|
Olga V. Shesteric |
| |
| Vol 9, No 2(32) (2017) |
Music in the Metadigetic Space of the Motion Picture |
Abstract
PDF (Rus)
|
|
Elena A. Rusinova |
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