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FILM THEORY AND FILM HISTORYI AUDIOVISUAL ARTS

 
Issue Title
 
Vol 10, No 3(37) (2018) Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? Abstract   PDF (Rus)
Alexander A. Pronin
 
Vol 10, No 3(37) (2018) Sound as a Sign and Artistic Symbol in Film Abstract   PDF (Rus)
Elena A. Rusinova
 
Vol 10, No 3(37) (2018) Way of Genre in Cinema Documentary Abstract   PDF (Rus)
Galina S. Prozhiko
 
Vol 4, No 2-3(12-13) (2012) Sociocultural Functions of Film Libraries and Archives Abstract   PDF (Rus)
Vladimir Sergeyevich Malyshev
 
Vol 4, No 2-3(12-13) (2012) World War Two in the Cinema of the Late 1950s Abstract   PDF (Rus)
Lydia Alexeyevna Zaitseva
 
Vol 4, No 2-3(12-13) (2012) The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory Abstract   PDF (Rus)
Ljudmila Borisovna Kluyeva
 
Vol 5, No 3(17) (2013) Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) Abstract   PDF (Rus)
Marina Ivanovna Kosinova
 
Vol 9, No 1(31) (2017) Cinema and Globalization Abstract   PDF (Rus)
Mikhail I. Zhabskiy
 
Vol 9, No 2(32) (2017) The Demand for Russian Cinema Abstract   PDF (Rus)
Mikhail I. Zhabskiy
 
Vol 9, No 2(32) (2017) Gender Analysis of the Film “The Poet and the Fallen Soul” Abstract   PDF (Rus)
Svetlana A. Smagina
 
Vol 9, No 2(32) (2017) “Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries Abstract   PDF (Rus)
Denis Yu. Mylnikov
 
Vol 9, No 2(32) (2017) Censorship Machine in the Soviet Cinema of the 1920s Abstract   PDF (Rus)
Alisa R. Nasrtdinova
 
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