|
Issue |
Title |
|
Vol 10, No 3(37) (2018) |
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? |
Abstract
PDF (Rus)
|
Alexander A. Pronin |
|
Vol 10, No 3(37) (2018) |
Sound as a Sign and Artistic Symbol in Film |
Abstract
PDF (Rus)
|
Elena A. Rusinova |
|
Vol 10, No 3(37) (2018) |
Way of Genre in Cinema Documentary |
Abstract
PDF (Rus)
|
Galina S. Prozhiko |
|
Vol 4, No 2-3(12-13) (2012) |
Sociocultural Functions of Film Libraries and Archives |
Abstract
PDF (Rus)
|
Vladimir Sergeyevich Malyshev |
|
Vol 4, No 2-3(12-13) (2012) |
World War Two in the Cinema of the Late 1950s |
Abstract
PDF (Rus)
|
Lydia Alexeyevna Zaitseva |
|
Vol 4, No 2-3(12-13) (2012) |
The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory |
Abstract
PDF (Rus)
|
Ljudmila Borisovna Kluyeva |
|
Vol 5, No 3(17) (2013) |
Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) |
Abstract
PDF (Rus)
|
Marina Ivanovna Kosinova |
|
Vol 9, No 1(31) (2017) |
Cinema and Globalization |
Abstract
PDF (Rus)
|
Mikhail I. Zhabskiy |
|
Vol 9, No 2(32) (2017) |
The Demand for Russian Cinema |
Abstract
PDF (Rus)
|
Mikhail I. Zhabskiy |
|
Vol 9, No 2(32) (2017) |
Gender Analysis of the Film “The Poet and the Fallen Soul” |
Abstract
PDF (Rus)
|
Svetlana A. Smagina |
|
Vol 9, No 2(32) (2017) |
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries |
Abstract
PDF (Rus)
|
Denis Yu. Mylnikov |
|
Vol 9, No 2(32) (2017) |
Censorship Machine in the Soviet Cinema of the 1920s |
Abstract
PDF (Rus)
|
Alisa R. Nasrtdinova |
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