«Expressive movement» as the creation of super-authenticity in the cinema of K. Saura (using the example of the trilogy «Bloody Wedding», «Carmen», «Witchcraft Love»)

Yu. O. Vinar

For citations:

Vinar Yu.O. «Expressive movement» as the creation of super-authenticity in the cinema of K. Saura (using the example of the trilogy «Bloody Wedding», «Carmen», «Witchcraft Love»). Vestnik VGIK. 2024;16(2(60)):95-106. (In Russ.) https://doi.org/10.69975/2074-0832-2024-60-2-95-106

This work is licensed under a Creative Commons Attribution 4.0 License.

ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)

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Vestnik VGIK

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