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Modern Vision of Pre-Revolutionary Newsreels and Their Artistic Peculiarities

https://doi.org/10.69975/2074-0832-2024-59-1-15-25

Abstract

The perception of screen images changes over time, although the original image remains intact. This is partially due to the change in the feelings the spectator experiences when watching these films. Elaborately edited, they create a reality different from the surrounding world. Polysemy arises in pre-revolutionary cinema with the advent of narrative semantic editing techniques.

About the Author

V. K. Belyakov
VGIK
Russian Federation

Viktor K. Belyakov, PhD in Art History; Associate Professor of VGIK Sergiyev Posad branch; doctoral student of VGIK Cinema Studies Department

AuthorID: 1162265



References

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2. Bulgakova, O.L. “LEF i kino” [“LEF and cinema”]. Kinovedcheskie zapiski, no. 18, 1993, pp. 165–197. (In Russ.)

3. Vishnevskii, V.E. Dokumentalnii filmy dorevolyutsionnoi Rossii 1907‒1916 [Documentary films of pre-revolutionary Russia 1907‒1916]. Moskva, Muzey kino, 1996. 288 p. (In Russ.)

4. Vishnevskii, V.E., Mikhaylov, V.P. and others. Letopisy rossiyskogo kino: 1863‒1929 [Chronicle of Russian cinema: 1863‒1929]. Moskva, Materik, 2004. 700 p. (In Russ.)

5. Goryachok, K.L. “Istoriya odnogo zakaza: kak Esfiry Shub i Dziga Vertov rabotali nad filmom k desyatiletiyu revolyutsii” [“The story of one order: how Esther Shub and Dziga Vertov worked on a film for the tenth anniversary of the revolution”]. Teatr. Zhivopisy. Kino. Muzyka, no. 3, 2023, pp. 158–172. (In Russ.)


Review

For citations:


Belyakov V.K. Modern Vision of Pre-Revolutionary Newsreels and Their Artistic Peculiarities. Vestnik VGIK. 2024;16(1(59)):15-25. (In Russ.) https://doi.org/10.69975/2074-0832-2024-59-1-15-25

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)