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Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Abstract

The article investigates a stage production organically combining choreography and screen art based on Chopin’s ‘Die Kameliendame’ choreographed by John Neumeier whose oeuvre has become a hallmark in modern ballet. tte author compares the stage version of ‘Die Kameliendame’ with its screen adaptation.

About the Author

Daria E. Khokhlova
Bolshoi tteatre
Russian Federation


References

1. Белова Е.П. Балет в кино // Русский балет. Энциклопедия. - М.: Большая российская энциклопедия; Согласие, 1997. - С. 36-37.

2. Белова Е.П. Балет на телевидении // Русский балет. Энциклопедия. - М.: Большая российская энциклопедия; Согласие, 1997. - С. 37-41.

3. Зозулина Н.Н. Джон Ноймайер в Петербурге. - СПб.: Алаборг, 2012. - 423 с.

4. Percival J. Theatre in My blood: a Biography of John Cranko. - New York: Franklin Watts, 1983. - 248 p.: ill.

5. Terry W. Richard Cragun. Pfullingen: V.G. Neske, 1982. - 131 p.: ill.

6. Vaughan D. Frederick Ashton and his ballets. London: Dance Books LTD, 1999. - 545 p.:ill.


Review

For citations:


Khokhlova D.E. Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? Vestnik VGIK. 2018;10(3(37)):107-115. (In Russ.)

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)