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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-839</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>МИРОВОЙ КИНОПРОЦЕСС | АНАЛИЗ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>WORLD CINEMA | ANALYSIS</subject></subj-group></article-categories><title-group><article-title>Хореографическое искусство на киноэкране: фильм-балет или балет-фильм?</article-title><trans-title-group xml:lang="en"><trans-title>Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Хохлова</surname><given-names>Дарья Евгеньевна</given-names></name><name name-style="western" xml:lang="en"><surname>Khokhlova</surname><given-names>Daria E.</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Государственный Академический Большой театр России</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Bolshoi tteatre</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>09</day><month>04</month><year>2018</year></pub-date><volume>10</volume><issue>3(37)</issue><fpage>107</fpage><lpage>115</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Хохлова Д.Е., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Хохлова Д.Е.</copyright-holder><copyright-holder xml:lang="en">Khokhlova D.E.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/839">https://www.vestnik-vgik.com/jour/article/view/839</self-uri><abstract><p>Статья посвящена исследованию сценической постановки, органично синтезирующей художественные приемы хореографического и экранного искусства. В основе анализа - балет «Дама с камелиями» на музыку Ф. Шопена, поставленный известным балетмейстером Джоном Ноймайером, чье творчество характеризует масштабнейшее явление современного балетного театра. Ракурс исследования - сравнительный анализ сценического варианта «Дамы с камелиями» и снятого на его основе фильма-балета.</p></abstract><trans-abstract xml:lang="en"><p>The article investigates a stage production organically combining choreography and screen art based on Chopin’s ‘Die Kameliendame’ choreographed by John Neumeier whose oeuvre has become a hallmark in modern ballet. tte author compares the stage version of ‘Die Kameliendame’ with its screen adaptation.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>балет на киноэкране</kwd><kwd>балет на телевидении</kwd><kwd>трансляция балетного спектакля</kwd><kwd>«Дама с камелиями»</kwd><kwd>Дж. Ноймайер</kwd><kwd>фильм-балет</kwd><kwd>ballet in cinema</kwd><kwd>TV ballet</kwd><kwd>broadcast of a ballet performance</kwd><kwd>The Lady of the camellias</kwd><kwd>John Neumeier</kwd><kwd>film-ballet</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Белова Е.П. Балет в кино // Русский балет. Энциклопедия. - М.: Большая российская энциклопедия; Согласие, 1997. - С. 36-37.</mixed-citation><mixed-citation xml:lang="en">Белова Е.П. Балет в кино // Русский балет. Энциклопедия. - М.: Большая российская энциклопедия; Согласие, 1997. - С. 36-37.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Белова Е.П. Балет на телевидении // Русский балет. Энциклопедия. - М.: Большая российская энциклопедия; Согласие, 1997. - С. 37-41.</mixed-citation><mixed-citation xml:lang="en">Белова Е.П. 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