The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Abstract
The article opening the cycle of publications Audiovisual Means of Creating Metadiegetic Space in Cinema’ systemizes means and technologies in sound direction that enable to create various spaces in a film as well as to convey the altered consciousness and the inner world of the character.
Keywords
звукорежиссура,
звуковое решение фильма,
диегезис,
метадиегезис,
художественное пространство кинофильма,
звуковые форматы воспроизведения фонограммы,
музыка кино,
sound directing,
dramaturgy of film sound,
diegesis,
metadiegesis,
artistic space of a motion picture,
multi-channel sound formats,
cinema music
References
1. Казарян Р. Эстетика кинофонографии. - М.: Эйзенштейн-центр, 2011. - 248 с.
2. Bordwell D., Thompson K. Film Art: An Introduction 2nd. ed. - New York: Addison and Wesley, 1979. - 544 p.
3. Chion M. Audio-Vision: Sound on Screen. - New York: Columbia University Press, 1994. - 270 p.
4. Gorbman С. Unheard Melodies: Narrative Film Music. - Bloomington, Indiana: Indiana University Press, 1987. - 190 p.
5. Schafer R.M. The New Soundscape. BMI Canada, 1969. - 67 p.
Review
For citations:
Rusinova E.A. The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture. Vestnik VGIK. 2017;9(1(31)):20-26. (In Russ.)
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