Magic Realism of André Delvaux
Abstract
The article explores the artistic merit of the underestimated Belgian director’s major films which combine magic irrational elements with visible real life attributes. Employing imaginary space and cinematic time in the films which could be classified as “magic realism”, helps reveal a specific truth: the shift of the angle enables one to see the hidden depth and the mystery, to create a complex picture of the world.
References
1. Лотман Ю., Цивьян Ю. Диалог с экраном. — Таллинн: Александра, 1994.
2. Набоков В. Лекции по зарубежной литературе. — М.: Независимая газета, 1998.
3. Дмитриев В. Андре Дельво — человек фильмотеки // Киноведческие записки. 2003. № 65.
4. Горяинов О. Художник-интеллектуал Андре Дельво // Kinote. 6 июня, 2010.
5. Magical Realism: Theory, History, Community. Ed. Zamora and Faris, Duke University Press, Durham & London, 1995.
6. Bowers Maggie Ann. Magic(al) Realism. The New Critical Idiom, 2004.
7. Chanady Amaryll Beatrice. Magical Realism and the Fantastic. Resolved Versus Unresolved Antinomy Garland, 1985.
8. Danow David K. The Spirit of Carnival Magical Realism and the Grotesque. The University Press of Kentucky, 1995.
9. Hart Stephen M. and Ouyang Wen-Chin. A Companion to Magical Realism. Tamesis, 2005.
10. Mena Lucila-Inés. Hacia una formulación teórica del realismo mágico // Bulletin Hispanique. 77 (3-4). July-Dec 1975.
Review
For citations:
Zakrevskaya A.A. Magic Realism of André Delvaux. Vestnik VGIK. 2013;5(2(16)):134-143. (In Russ.)
Views:
33
Email this article 