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Can “Native” Cinema Be Marketable

Abstract

The author substantiates the innovative trend in the revival and development of Russian film production based on of the sociological analysis of the problem as far as the marketability and ways of its recovery within the frames of the state film policy are concerned. The concluding part of the article prepared at the State Institute of Culture Studies in collaboration with the Film Art Institute (for the beginning see Issues 14, 15) covers the conceptual guidelines of the governmental policy concerning national cinema and the practical measures of its rational correction.

About the Author

Mikhail Ivanovich Zhabskiy
Russian Federation Institute of Cinematography; State Institute of Culture Studies
Russian Federation


References

1. Владимир Путин: «Культура — это, может быть, самая лучшая часть нашей жизни» // Кинопроцесс. 2003, № 3/4.

2. Соловьев В.С. Чтения о богочеловечестве. Духовные основы жизни. Оправдание добра. — Мн., 1999.

3. «Социология и кинематограф» / под общ. ред. М.И. Жабского — М., 2012.

4. Тарасов К. Насилие в зеркале аудиовизуальной культуры. — М.: НИИ киноискусства, 2005.

5. Austin, B. Immediate Seating: A Look at Movie Audiences. — Belmont, 1989.

6. Кинематограф — зеркало или молот? Кинокоммуникация как социальная практика / под общ. ред. М.И. Жабского. — М., 2010.


Review

For citations:


Zhabskiy M.I. Can “Native” Cinema Be Marketable. Vestnik VGIK. 2013;5(2(16)):102-120. (In Russ.)

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)