The Parable in the Work of World Film Masters
Abstract
The article is devoted to the parable as a movie genre, its origins and reasons why many 20th century film directors from different national schools have turned to it. The author also gives the philosophic and aesthetical basis of this genre and its role in the evolution of cinematic thought.
Keywords
parable,
didactic and allegoric genre,
crisis,
identity,
existentialist philosophy,
the image of the 20th century
778.5.04.
References
1. Ясперс К. Смысл и назначение истории. М.: Политическая литература,1991. - 527 с.
2. Больнов О. Философия экзистенциализма. СПБ.: «Лань», 1999. - 224 с.
3. Самосознание европейской культуры ХХ века. М.: Политическая литература,1991. - 366 с.
4. Хайдеггер М. Время и бытие. - М.: Республика, 1993. - 447 с.
Review
For citations:
Tugushi S.A. The Parable in the Work of World Film Masters. Vestnik VGIK. 2011;3(2(8)):88-98. (In Russ.)
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