Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte"
Abstract
The article is devoted to the earliest works of French Avant-guard second wave. The main attention is focused on R. Clair's «Entr'acte», the famous Dada film which is analysed in the context of Dada artistic practice. The key inspiration of the film's whole image systen was «The Bride Stripped Bare By Her Bachelors, Even», a famous installation by M. Duchamp
About the Authors
Владимир Виноградов
ВГИК
Russian Federation
Russian Federation
Vladimir Vyacheslavovich Vinogradov
VGIK
Russian Federation
Russian Federation
References
1. Хюбнер К. Истина мифа. Пер. с нем.- М.: Республика, 1996.
2. Breton Andre « Les mots sans rides « Littirature, 2e sine, № 7(decembre 1922).
3. DADA almanack Richard Huelsenbeck Ed: Les presses duriel- Avant-gardes, Champ Libre edition, Paris, 1980.
4. Duehamp Mated, Duchamp du slgne, Ftammarion, 1975.
5. Pauchereau Serge, Pieabia, idMons Cercle d'Art, Paris, 2002.
6. Man Ray. Autoportrait. Paris. Robert laffort. 1964.
7. Pieabia Ecrits, deux volumes, Ed OUvier Revautt d'Auonnes et Dominique Bouissou. Paris, Betfbnd, 1978.
Review
For citations:
, Vinogradov V.V. Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte". Vestnik VGIK. 2010;2(2(3-4)):122-147. (In Russ.)
Views:
23
Email this article 