vgikВестник ВГИКVestnik VGIK2074-08322713-2471ВГИКvgik-251Research ArticleСтатьиДада на экране. «Новобрачная, раздетая своими холостяками, даже» М. Дюшана в «Антракте» Р. КлераDada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte"ВиноградовВладимир Вячеславовичnoemail@neicon.ruVinogradovVladimir Vyacheslavovichnoemail@neicon.ruВГИКRussian FederationVGIKRussian Federation20100804202422(3-4)122147Copyright © Виноградов В.В., Vinogradov V.V., 20242024Виноградов В.В., Vinogradov V.V.Виноградов В.В., Vinogradov V.V.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.vestnik-vgik.com/jour/article/view/251

The article is devoted to the earliest works of French Avant-guard second wave. The main attention is focused on R. Clair's «Entr'acte», the famous Dada film which is analysed in the context of Dada artistic practice. The key inspiration of the film's whole image systen was «The Bride Stripped Bare By Her Bachelors, Even», a famous installation by M. Duchamp

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The authors declare that there are no conflicts of interest present.