A Movie about a Dream or a Dream about a Movie: The Oneiric Nature of Cinema in Buster Keaton's “Sherlock, Jr.” (1924)
https://doi.org/10.69975/2074-0832-2026-67-2-55-66
Abstract
The article focuses on the classic Buster Keaton film “Sherlock, Jr.” (1924). Buster Keaton is one of the key figures in the history of cinema, central to the American silent comedy genre. In the complex structure of Keaton's picture, ‘film’ rhymes with ‘dream.’ The two phenomena have been compared by various film theorists who found a close resemblance between them. The article analyzes “Sherlock, Jr.” in the context of these theories paralleling the nature of cinema to that of dreaming (O. Rank, S. Kracauer, V.A. Podoroga, etc.).
About the Author
K. A. Vlaskin
State Institute for Art Studies
Russian Federation
Russian Federation
Kirill A. Vlaskin - post-graduate student, State Institute for Art Studies.
5 Kozitsky Lane, Moscow, 125375
References
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Review
For citations:
Vlaskin K.A. A Movie about a Dream or a Dream about a Movie: The Oneiric Nature of Cinema in Buster Keaton's “Sherlock, Jr.” (1924). Vestnik VGIK. 2026;18(2(68)):55-66. (In Russ.) https://doi.org/10.69975/2074-0832-2026-67-2-55-66
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