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Synthesis of Cultures and Religious and Mythological Patterns in the Imagery of A. Askoldov's Film “Commissar”

https://doi.org/10.69975/2074-0832-2025-64-3-62-73

Abstract

The article addresses the imagery of the film “Commissar” by Alexander Askoldov. The author undertakes an episode-by-episode analysis of the film to reveal the use of religious and mythological images and patterns, including cultural phenomena and mythology that originated in the twentieth century.

About the Author

E. M. Pischita
Russian State University of Cinematography n. a. S.A. Gerasimov (VGIK)
Russian Federation

3 Wilhelm Pieck Str., Moscow, 129226



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For citations:


Pischita E.M. Synthesis of Cultures and Religious and Mythological Patterns in the Imagery of A. Askoldov's Film “Commissar”. Vestnik VGIK. 2025;17(3(65)):62-73. (In Russ.) https://doi.org/10.69975/2074-0832-2025-64-3-62-73

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)