The Phenomenon of Resacralization in the New French Extremity Films
https://doi.org/10.69975/2074-0832-2024-61-3-79-88
Abstract
The article analyzes the phenomenon of resacralization in postmodern filmmaking, namely, in the New French Extremity films. Resacralization is a kind of human psyche’s response to desacralization predominant in postmodern discourse. Using French new transgressive cinema as a case study, the article highlights the internal processes causing the spontaneous restoration of the fundamental boundary between the sacred and the profane, erased in the modern era.
Keywords
About the Author
V. A. Akimov
VGIK
Russian Federation
Russian Federation
Valery А. Akimov, Postgraduate Student, S.A. Gerasimov All-Russian State University of Cinematography
AuthorID: 1205828
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Review
For citations:
Akimov V.A. The Phenomenon of Resacralization in the New French Extremity Films. Vestnik VGIK. 2024;16(3(61)):79-88. (In Russ.) https://doi.org/10.69975/2074-0832-2024-61-3-79-88
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