The Relationship between Visual Design and in Dramatic Structure S.I. Rostotsky‘s Work
https://doi.org/10.69975/2074-0832-2024-61-3-66-78
Abstract
The article examines the connection between realistic and conventional artistic techniques used in the films of film director S.I. Rostotsky with dramaturgy: action, characters, genre features using the example of the films “On the Seven Winds” (1962), “We’ll Live Until Monday” (1968), “And the dawns here are quiet...” (1972). The author of the work uses the concepts of realistic and conventional techniques to describe the uniqueness of the director’s creative method. As a result of the article, the author comes to the conclusion that the style of S. Rostotsky’s films is unique not only due to certain semantic and dramatic features, but also to the combination of two types of visual techniques.
About the Author
E. M. Tyutina
VGIK; Humanitarian Film and Television Institute (GITR)
Russian Federation
Russian Federation
Ekaterina M. Tyutina, Postgraduate Student; Associate Professor in Cinematography and Cameramanship
AuthorID: 1221300
References
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Review
For citations:
Tyutina E.M. The Relationship between Visual Design and in Dramatic Structure S.I. Rostotsky‘s Work. Vestnik VGIK. 2024;16(3(61)):66-78. (In Russ.) https://doi.org/10.69975/2074-0832-2024-61-3-66-78
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