Russian Ballet School on the Screen as a Mythologeme of the Modern Socio-Cultural Paradigm
https://doi.org/10.69975/2074-0832-2024-59-1-69-80
Abstract
The article examines the mythology in two films dedicated to ballet: “Bolshoi” (2017) by V. Todorovsky and “After You” (2017) by Anna Matison. The author highlights a conspicuous trend in modern Russian cinema towards positive appreciation of Soviet achievements. One of these is the national ballet school. This is an apparent proof that the existing post-Soviet socio-cultural paradigm is starting to change. The objective of the article is to consider the typology of representing the mythologeme associated with Soviet ballet.
About the Author
V. V. Marusenkov
S.A. Gerasimov Russian Federation State University of Cinematography (VGIK)
Russian Federation
Russian Federation
Vyacheslav V. Marusenkov, PhD in Art history, associate professor, Dean of the Script writing and Cinema Studies Department, professor
AuthorID: 723837
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Review
For citations:
Marusenkov V.V. Russian Ballet School on the Screen as a Mythologeme of the Modern Socio-Cultural Paradigm. Vestnik VGIK. 2024;16(1(59)):69-80. (In Russ.) https://doi.org/10.69975/2074-0832-2024-59-1-69-80
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