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Composition as a Method of Communication in the Teaching of Fine Arts

Abstract

In the context of diversification of artistic trends and schools, it is not always easy for students to choose one direction which is detrimental to the teaching process and leads to weakening their contact with the teacher. The article investigates the problem of establishing the contact with the student, specifying that the in-depth teaching of composition as the basis of art makes it possible to reveal the foundation that should be mastered by future artists irrespective of the direction they choose in their work.

About the Author

Alexander V. Sveshnikov
S.A. Gerasimov Russian Federation State Institute of Cinematography
Russian Federation


References

1. Волков Н.Н. Композиция в живописи. - М.: Искусство, 1977. - 263 с.: табл.

2. Даниэль С.М. Сети для Протея. Проблема интерпретации формы в изобразительном искусстве. - СПб.: «Искусство-СПб», 2002. - 304 с.

3. Кандинский В.В. Избранные труды по теории искусства: в 2 т. Т 1. - М.: Гилея, 2001. - 391 с.

4. Свешников А.В. Алгоритмы композиционного мышления в станковой живописи. - М.: ВГИК, 2012. - 352 с.: ил.


Review

For citations:


Sveshnikov A.V. Composition as a Method of Communication in the Teaching of Fine Arts. Vestnik VGIK. 2018;10(4(38)):69-77. (In Russ.)

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)