The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Abstract
The article’s originality and relevance reside in the fact that it considers Russian films about the provinces in the context of strengthening national identity, one of the main tasks of the government’s cultural policy. The author surveys the films of the 2000s which not only touch upon quite acute issues of Russian society’s self-identity but stimulate the process of their solution.
Keywords
российское кино о провинции,
государственная культурная политика,
национальная и гражданская идентичность,
современный кинопроцесс,
постсоветское социокультурное пространство,
Russian cinema about the provinces,
state cultural policy,
national and civic identity,
contemporary film process,
post-Soviet socio-cultural space
About the Author
Yulia V. Mikheeva
S.A. Gerasimov Russian Federation State Institute of Cinematography
Russian Federation
Russian Federation
References
1. Кино и коллективная идентичность. - М.: ВГИК, 2013. - 302 с.
2. Культурная память в контексте формирования национальной идентичности России в XXI веке. Коллективная монография / Новый ин-т культурологии; отв. ред. Н.А. Кочеляева. - М.: Совпадение, 2015. - 168 с.
3. Разлогов К.Э. Метаморфозы идентичности // Вопросы философии, 2015, № 7. - С. 28-40.
4. Хроники кинопроцесса. Выпуск № 7 (фильмы 2013 года), 2013. - М.: ВГИК, 2015. - 285 c.
5. Celli C. National Identity in Global Cinema: How Movies Explain the World. - NY, Palgrave Macmillan, 2011. - 192 p.
6. Cinema and Nation. Edited by Mette Hjort and Scott MacKenzie. - L., NY, Routledge, Taylor & Francis Group, 2005. - 329 p.
Review
For citations:
Mikheeva Yu.V. The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity. Vestnik VGIK. 2018;10(4(38)):40-52. (In Russ.)
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