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The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

https://doi.org/10.69975/2074-0832-2018-37-3-97-106

Abstract

The article deals with representation of female characters in the German cinema of the 1920s focusing on the femme fatale as the exponent of the spirit of the age and its numerous inner problems. Then and there, the femme fatale appears as a revolutionary image challenging the traditional life style. tte author analyses the most exemplary films with such a heroine: ‘Genuine, die Tragödie eines seltsamen Hauses’, ‘Dirnentragödie’ and ‘Asphalt’.

About the Author

Svetlana A. Smagina
VGIK
Russian Federation


References

1. Кракауэр З. Психологическая история немецкого кино. От Калигари до Гитлера. - М.: Искусство, 1977. - 320 с.

2. Ломброзо Ч. Женская проституция. Врожденные и случайные проститутки. Их свойства, нравы и привычки. По соч. проф. К. Ломброзо и Д. Ферреро ‘‘La donna delinquente e prostituta’’ / Ч. Ломрозо. - М.: ТД Е. Коновалова и К°, 1908. - 71 с.

3. Фриче В.М. Торжество пола и гибель цивилизации. - М.: Издательство: Книгоиздательство «Современные проблемы», 1908. - 104 с.


Review

For citations:


Smagina S.A. The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal. Vestnik VGIK. 2018;10(3(37)):97-106. (In Russ.) https://doi.org/10.69975/2074-0832-2018-37-3-97-106

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)