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Individualism as a Cultural Syndrome in Recent American Cinema

Abstract

The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.

About the Author

Nina A. Tsyrkun
Institute of Film Art, VGIK
Russian Federation


References

1. Кнабе Г.С. Европа с римским наследием и без него. - М.: Государственный институт искусствознания, Нестор-История, 2011. - 258 с.

2. Триандис Гарри К. Культура и социальное поведение. - М.: Форум, 2007. - 384 с.

3. Sarris Andrew. The John Ford Movie Mystery. Bloomington: Indiana University Press, 1976. - 192 p.

4. Asbjorn Gronstad. Gathering at the River: Ford, Peckinpah and the Failure of the Communal // American Studies in Scandinavia. Vol. 35, # 1, 2003. - P 51-67.

5. Lyons Robert. Introduction. My Darling Clementine as History and Romance // John Ford, Director. New Brunswick-N.J.: Rutgers University Press, 1984. - P 3-17.


Review

For citations:


Tsyrkun N.A. Individualism as a Cultural Syndrome in Recent American Cinema. Vestnik VGIK. 2017;9(2(32)):114-122. (In Russ.)

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ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)