Desktop Films. To Read or to Watch?
Abstract
The subject matter of the treatise is desktop films, a young but gradually gaining popularity format whose elements can be encountered in films of various genres. The author debates if this technology, which suggests using a different visual esthetics, has any potential, what elements this technology is based on and how it transforms the idea of a human being reflected in virtual reality.
Keywords
виртуалистика,
технологии,
экран,
визуальность,
Сеть,
virtual reality,
technologies,
screen,
visuality,
network
References
1. Бахтин М.М. Творчество Франсуа Рабле и народная культура Средневековья и Ренессанса. - М.: Художественная литература, 1990. - 312 c.
2. Бодрийяр Ж. Симулякры и симуляции. - М.: Постум, 2015. - 240 c.
3. Жинкин Н.И. Речь как проводник информации. - М.: Наука, 1982. - 159 c.
4. Уэбстер Ф. Теории информационного общества. - М.: Аспект Пресс, 2004. - 401 c.
5. Schepelern P. Film According to Dogma: restrictions, abstractions and liberations. Transnational Cinema in a Global North. - Detroit: Wayne State University Press, 2005. - 174p.
Review
For citations:
Novikov V.N. Desktop Films. To Read or to Watch? Vestnik VGIK. 2017;9(2(32)):102-112. (In Russ.)
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