Countercommunicative Mechanisms in the Artistic Practice of Cinema
Abstract
The article examines the role and significance of counter-communicative mechanisms in modern cinema. A detailed analysis of the strategy of de-automatization of artistic structure in Andrei Tarkovsky’s “The Mirror” is presented to support the article.
References
1. Выготский Л.С. Психология искусства. - М.: Изд-во «Педагогика», 1987. - 344 с.
2. Лотман Ю.М. Об искусстве. - СПб.: «Искусство-СПБ», 1998. - 704 с.
3. Шкловский В.Б. Искусство как прием // Поэтика: сборники по теории поэтического языка: вып. 1-2. - Петроград: Опояз, 1919. - 173 с.
4. Tarkovsky A. Sculpting in Time. - London, 1989.
Review
For citations:
Klyueva L.B. Countercommunicative Mechanisms in the Artistic Practice of Cinema. Vestnik VGIK. 2015;7(4(26)):32-49. (In Russ.)
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