Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization
Abstract
Complexities of literary work's transferring on the screen are discussed in the article as exemplified by Roald Dahl's fairy tale's two screen versions: "Willy Wonka & the Chocolate Factory" (1971, directed by Mel Stuart) and "Charlie and the Chocolate Factory" (2005, directed by Tim Burton). The article is published to the 50th anniversary of Roald Dahl's fairy tale's release.
Keywords
экранизация,
повесть,
драматургия,
конфликт,
персонаж,
детали,
Даль,
Бёртон,
Стюарт,
Чарли,
Вилли Вонка,
screen version,
story,
dramaturgy,
conflict,
character,
details,
Dahl,
Burton,
Stuart,
Charlie,
Willy Wonka
About the Author
Nonna Borisovna Yermilova
Saint Petersburg State University of Cinematography and Television
Russian Federation
Russian Federation
References
1. Актуальные проблемы современного искусства и искусствознания: сб. науч. тр. / СПбГУКиТ, [под ред. А.Л. Казина]. - СПб.: Редакционно-издательский отдел «Санкт-Петербургский Государственный университет кино и телевидения», 2009. - 212 с.
2. Аристарко Г. История теорий кино. - М.: Искусство, 1966. - 356 с.
3. Даль Р. Детские бестселлеры. - М.: Бумажная галерея, 2001. - 304 с.
4. Симонова С.А. К проблеме соотношения экранизации и литературного первоисточника // Вестник ВГИК. - 2011. - № 10. - С. 132-141.
5. The children books of Roald Dahl / Book and Magazine Collector (January 1989) // URL: http://www.webcitation.org/66fjf6j5v (дата обращения: 22.11.2013).
Review
For citations:
Yermilova N.B. Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization. Vestnik VGIK. 2014;6(2(20)):52-61. (In Russ.)
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