The Role of Memory in the Perception of the Screen Image
Abstract
The article investigates one of the aspects of psychology of art, namely, the role of different types of human memory — sensory, long-time, short-time — in the forming of an artistic image in the perception of an audiovisual entity. The audience’s perception of such specific cinematic methods as pan shot and dolly shot, as well as different types of parallel, associative and distance montage rests on the peculiarities of our short-time and long-time memory. On the other hand, the complex polyphonic combination of various visual chronotopes in modern films is based on the imitation of memory typical for our dreams.
References
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Review
For citations:
Poznin V.F. The Role of Memory in the Perception of the Screen Image. Vestnik VGIK. 2012;4(2-3(12-13)):96-105. (In Russ.)
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