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The Image of Home in Cinema

Abstract

The article is a review of the most widely used images of home in the world cinema. Different film styles, genres, trends create a patchwork of various and more often than not antipodal representations. But at the same time there are certain universal characteristics of images of home on the screen, determinated by the specific film language and literature traditions.

About the Author

Olga Kirillovna Reizen
VGIK
Russian Federation


References

1. Барт Р. Мифологии. — М.: Издательство имени Сабашниковых, 2000.

2. Башляр Г. Избранное: поэтика пространства. — М.: РОССПЭН, 2004.

3. Чеснов Я.В. Лекции по исторической этнологии. — М.: «Гардарика», 1998.

4. Флоренский П. Анализ пространственности и временности в художественно-изобразительных произведениях.—Собр. соч. Статьи и исследования по истории и философии искусства и археологии. — М.: «Мысль», 2000.

5. Hedges I. Breaking the Frame. Film Language and the Experience of Limits, Indiana University Press, Bloomington and Indianapolis, 1991.


Review

For citations:


Reizen O.K. The Image of Home in Cinema. Vestnik VGIK. 2012;4(2-3(12-13)):86-94. (In Russ.)

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This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2074-0832 (Print)
ISSN 2713-2471 (Online)