Still Life in the Space of the Film
Abstract
The article deals with the role of the still life in the film's visual treatment and analyses the possible ways of the cinematic usage of an object. Two main tendencies - semantic and visual - are singled out. An object (or a still life as a collection of objects) is treated as one of the elements forming the film's visual environment. The problem is considered on the material of the Russian cinema of the 1960s-1980s.
Keywords
778.5.04.071:75
References
1. Григорьева Е.Г. Образование смысла в натюрморте. //Лотмановский сборник. 3. / Редакторы Л.Н. Киселева, Р.Г. Лейбов, Т.Н. Фрайман. - М.: ОГИ, 2004. - 1008 с.
2. Данилова И.Е. Тексты «на случай». - М.: ЗАО «Группа ЭПОС», 2007. - 94 с.
3. Дмитриева Н. Изображение и слово. - М.: Искусство. - 1962. - 334 с., илл.
Review
For citations:
Gvozdeva Ye.V. Still Life in the Space of the Film. Vestnik VGIK. 2011;3(2(8)):65-72. (In Russ.)
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