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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2024-62-4-82-100</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-978</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕОРИЯ КИНО</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>FILM THEORY</subject></subj-group></article-categories><title-group><article-title>Методологические аспекты киноведческих исследований</article-title><trans-title-group xml:lang="en"><trans-title>Methodologic Aspects of Film Studies</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Никитина</surname><given-names>И. П.</given-names></name><name name-style="western" xml:lang="en"><surname>Nikitina</surname><given-names>I. P.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Никитина Ирина Петровна, доктор философских наук, профессор кафедры истории и философии</p><p>AuthorID: 72159</p></bio><bio xml:lang="en"><p>Irina P. Nikitina, Doctor in Philosophy, Professor, History and Philosophy Department</p><p>AuthorID: 72159</p></bio><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Всероссийский государственный университет кинематографии им. С.А. Герасимова (ВГИК).</institution><country>Россия</country></aff><aff xml:lang="en"><institution>S.A. Gerasimov Russian State University of cinematography (VGIK)</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>04</day><month>12</month><year>2024</year></pub-date><volume>16</volume><issue>4(62)</issue><fpage>82</fpage><lpage>100</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Никитина И.П., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Никитина И.П.</copyright-holder><copyright-holder xml:lang="en">Nikitina I.P.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/978">https://www.vestnik-vgik.com/jour/article/view/978</self-uri><abstract><p>В статье предпринята попытка наметить определенный корпус научных методов и подходов, которые могут успешно использоваться в киноведческих исследованиях. Представлена краткая характеристика каждого из методов и указаны особенности их применения в киноведении. Проводится утверждение, что в киноведческих исследованиях могут использоваться как некоторые общенаучные методы, так и специальные методы искусствоведения.</p></abstract><trans-abstract xml:lang="en"><p>The article attempts at outlining an array of research methods and approaches that can be successfully used in film studies. A brief description of each method is presented and the ways of their application in film studies are indicated. The author argues that a film scholar can employ both general research methods and those specific to art criticism.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>научный метод</kwd><kwd>методология гуманитарных наук</kwd><kwd>искусствоведение</kwd><kwd>киноведение</kwd><kwd>описательно-сравнительный метод</kwd><kwd>определение</kwd><kwd>дедукция и индукция</kwd><kwd>анализ и синтез</kwd><kwd>классификация</kwd><kwd>интерпретация</kwd><kwd>междисциплинарный подход</kwd><kwd>принцип историзма</kwd></kwd-group><kwd-group xml:lang="en"><kwd>scientific method</kwd><kwd>methodology of the humanities</kwd><kwd>art criticism</kwd><kwd>film studies</kwd><kwd>descriptive and comparative method</kwd><kwd>definition</kwd><kwd>deduction and induction</kwd><kwd>analysis and synthesis</kwd><kwd>classification</kwd><kwd>interpretation</kwd><kwd>interdisciplinary approach</kwd><kwd>historical method</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Большая советская энциклопедия. 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