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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2024-61-3-58-65</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-956</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСТОРИЯ ОТЕЧЕСТВЕННОГО КИНО</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>HISTORY OF NATIONAL CINEMA</subject></subj-group></article-categories><title-group><article-title>Диалектическая драматургия Б. Брехта  в фильме «Нелюбовь» А. Звягинцева</article-title><trans-title-group xml:lang="en"><trans-title>Brecht's Dialectical Dramaturgy  in the Film Loveless by A. Zvyagintsev</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0006-9477-9167</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Носикова</surname><given-names>Е. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Nosikova</surname><given-names>E. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Носикова Елена Васильевна, драматург, лауреат премий Правительства РФ и Министерства культуры РФ</p></bio><bio xml:lang="en"><p>Elena V. Nosikova, screenwriter, Аward winner of the RF Government, Ministry of Culture</p></bio></contrib></contrib-group><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>10</day><month>09</month><year>2024</year></pub-date><volume>16</volume><issue>3(61)</issue><fpage>58</fpage><lpage>65</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Носикова Е.В., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Носикова Е.В.</copyright-holder><copyright-holder xml:lang="en">Nosikova E.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/956">https://www.vestnik-vgik.com/jour/article/view/956</self-uri><abstract><p>Настоящая статья анализирует творческий метод А. Звягинцева в картине «Нелюбовь». В процессе исследования выявляются приемы, схожие с практикой Бертольда Брехта. В работе были продемонстрированы различные приемы брехтовского «отчуждения», среди которых парабола, «глашатай», разрушение «четвертой стены» и др., которыми пользуется в своем фильме режиссер А. Звягинцев. В итоге своей работы автор статьи делает вывод об особом использовании этих приемов в творческом методе режиссера.</p></abstract><trans-abstract xml:lang="en"><p>This article analyzes the creative method of A. Zvyagintsev in the painting “Dislike”. In the process of research, techniques similar to the practice of Bertold Brecht are revealed. The work demonstrated various techniques of Brecht's “alienation”, including the parabola, the “herald”, the destruction of the “fourth wall”, etc., which are used in his film by director A. Zvyagintsev. As a result of his work, the author of the article concludes about the special use of these techniques in the creative method of the director.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>диалектическая  драматургия</kwd><kwd>«эпический театр»</kwd><kwd>Б. Брехт</kwd><kwd>А. Звягинцев</kwd><kwd>«отчуждение»</kwd><kwd>дистанцирование</kwd><kwd>«четвертая стена»</kwd></kwd-group><kwd-group xml:lang="en"><kwd>dialectical  dramaturgy</kwd><kwd>epic theater</kwd><kwd>B. Brecht</kwd><kwd>A. Zvyagintsev</kwd><kwd>alienation</kwd><kwd>distancing</kwd><kwd>herald</kwd><kwd>“fourth wall”</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Брехт Б. О театре. М.: Издательство иностранной литературы, 1960. 364 с.</mixed-citation><mixed-citation xml:lang="en">Brecht, B. O teatre. [About the theater]. Moscow, Publishing house of foreign literature, 1960, 364 p. 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