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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2024-59-1-58-68</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-910</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСТОРИЯ ОТЕЧЕСТВЕННОГО КИНО</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>HISTORY OF NATIONAL CINEMA</subject></subj-group></article-categories><title-group><article-title>Об одной удачной экранизации: долгая жизнь повести Г. Троепольского «Белый Бим Черное ухо»</article-title><trans-title-group xml:lang="en"><trans-title>On One Successful Screen Adaptation: the Long Life of G. Troepolsky's story “White Bim Black Ear”</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0004-6780-5433</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Ростоцкая</surname><given-names>М. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Rostotskaya</surname><given-names>M. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Ростоцкая Марианна Альбертовна, кандидат искусствоведения, доцент, заведующая кафедрой эстетики, истории и теории культуры</p><p>AuthorID: 905316</p></bio><bio xml:lang="en"><p>Marianna A. Rostotskaya, PhD in Art History, Head of the Department of Aesthetics, History and Theory of Culture, Associate Professor</p><p>AuthorID: 905316</p></bio><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>S.A. Gerasimov Russian Federation State University of Cinematography (VGIK)</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>08</day><month>05</month><year>2024</year></pub-date><volume>16</volume><issue>1(59)</issue><fpage>58</fpage><lpage>68</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Ростоцкая М.А., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Ростоцкая М.А.</copyright-holder><copyright-holder xml:lang="en">Rostotskaya M.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/910">https://www.vestnik-vgik.com/jour/article/view/910</self-uri><abstract><p>В статье рассказано об удачном сотрудничестве писателя Г. Троепольского и кинорежиссера С. Ростоцкого над фильмом «Белый Бим Черное ухо»; о более значительном влиянии на общество кинопроизведения в сравнении с литературным первоисточником; о различных, связанных с фильмом аспектах партиципаторной культуры. Показано, что критериями оценки фильма являются, помимо художественных качеств, его взаимодействие со зрителем и способность порождать различные культурные феномены.</p></abstract><trans-abstract xml:lang="en"><p>The article tells about the successful cooperation of writer G. Troepolsky and film director S. Rostotsky on the movie “White Bim Black Ear”; about the more significant influence on society of the film work in comparison with the literary source; about various aspects of participatory culture related to the film. It is shown that the criteria for evaluating a movie are, in addition to its artistic qualities, its interaction with the viewer and its ability to generate various cultural phenomena.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>«Белый Бим Черное ухо»</kwd><kwd>С. Ростоцкий</kwd><kwd>Г. Троепольский</kwd><kwd>экранизация</kwd><kwd>партиципаторная культура</kwd></kwd-group><kwd-group xml:lang="en"><kwd>“White Bim Black Ear”</kwd><kwd>S. Rostotsky</kwd><kwd>G. Troepolsky</kwd><kwd>film adaptation</kwd><kwd>participatory culture</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Афанасьев Н.Б. Генри Дженкинс и фанфик по теории медиа. URL: https://cyberleninka.ru/article/n/genri-dzhenkins-i-fanfik-po-teorii-media/viewer (дата обращения: 09.10.2023).</mixed-citation><mixed-citation xml:lang="en">Afanasyev, N.B. 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