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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.17816/VGIK64526</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-8</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПЕРФОРМАНC</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PERFORMANCE</subject></subj-group></article-categories><title-group><article-title>Фольклорные традиции Свердловской школы анимации</article-title><trans-title-group xml:lang="en"><trans-title>Folklore Traditions of the Sverdlovsk Animation School</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Томилов</surname><given-names>Ю. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Tomilov</surname><given-names>Yu. V.</given-names></name></name-alternatives><bio xml:lang="en"><p>Senior Lecturer and postgraduate student of the Department of Graphics and Animation</p></bio><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="en" id="aff-1"><institution>Ural State University of Architecture and Art</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>21</day><month>03</month><year>2024</year></pub-date><volume>13</volume><issue>1(47)</issue><fpage>58</fpage><lpage>67</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Томилов Ю.В., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Томилов Ю.В.</copyright-holder><copyright-holder xml:lang="en">Tomilov Y.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/8">https://www.vestnik-vgik.com/jour/article/view/8</self-uri><abstract><p>Статья посвящена фольклорным традициям, заложенным в фильмах режиссеров-аниматоров, работавших на студиях Свердловска в 1960–1980 годы и оказавших существенное влияние на творчество последующих поколений уральских кинематографистов. Рассматриваются технологические, жанровые и художественные открытия основоположников свердловской школы анимации в ходе воплощения на экране фольклорного материала.</p></abstract><trans-abstract xml:lang="en"><p>Sverdlovsk (or, as it is more often called, Ural) school of animation has made a name for itself throughout the world and is gaining recognition at prominent film festivals. It is noted for the visual ingenuity, experimenting with production techniques and special twists in storylines. The plots are often based on folk traditions of national (including the Urals) and world literature. Even given the relevance of the unique experience of Ural author’s animation in Russian and internationally, the totality of authors and their works hasn’t been properly studied as yet. Films by the founders of the Urals animation school are the least investigated in the scientific literature. This article identifies specific features, traditions and tendencies in development of screen animation in the Urals in the 60s–80s of XX century. Examples of works made by the Urals animators are used to illustrate the distinctive features in author’s interpretations of folk traditions and motifs in animation. Films of that period targeted the young audience and were didactic and moralistic in nature. Simultaneously, these films contained theatrical elements stemming from folk carnival and funfair culture and were full of comedy and entertainment. On-screen pieces of work were based on tales of different nations of the USSR and also on works by P.P. Bazhov and D.N. Mamin-Sibiryak. These films were often characterized by eclectic elements, “style game” and a mixture of genres. Film characters frequently used songs, chastushki (humorous folk songs) and poems to express themselves. A voiceover was widely used. Puppet and cut out animation were the main animation techniques. During these years new generations of animation artists were already being trained at the Sverdlovsk Film Studio and they had a chance to internalize the experience and traditions of experts in the workplace. By the mid-1980-s “Ural animation school” emerged as a term in the professional sphere and has since been considered a holistic phenomenon which is worth special attention of modern researchers.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>фольклор</kwd><kwd>уральская экранная анимация</kwd><kwd>свердловская школа анимации</kwd><kwd>Свердловская киностудия</kwd><kwd>«Свердловск-телефильм»</kwd><kwd>технологии анимации</kwd></kwd-group><kwd-group xml:lang="en"><kwd>folklore</kwd><kwd>Ural screen animation</kwd><kwd>Sverdlovsk school of animation</kwd><kwd>Sverdlovsk film studio</kwd><kwd>‘‘Sverdlovsktelefilm’’</kwd><kwd>animation techniques</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Анашкин С. Новейшая история отечественного кино: 1986–2000: в 2 частях; в 7 томах / Министерство культуры Российской Федерации; сост. Л. Ю. Аркус. Ч. 1: Кинословарь. Т. 1–3. 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