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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-732</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>МИРОВОЙ КИНОПРОЦЕСС. АНАЛИЗ</subject></subj-group></article-categories><title-group><article-title>Индия и Англия в зеркале экрана</article-title><trans-title-group xml:lang="en"><trans-title>India and England in the Mirror of Screen</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Звегинцева</surname><given-names>Ирина Анатольевна</given-names></name><name name-style="western" xml:lang="en"><surname>Zvegintseva</surname><given-names>I. A.</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>VGIK</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2017</year></pub-date><pub-date pub-type="epub"><day>09</day><month>04</month><year>2024</year></pub-date><volume>9</volume><issue>3(33)</issue><fpage>122</fpage><lpage>131</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Звегинцева И.А., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Звегинцева И.А.</copyright-holder><copyright-holder xml:lang="en">Zvegintseva I.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/732">https://www.vestnik-vgik.com/jour/article/view/732</self-uri><abstract><p>Статья посвящена анализу фильмов, созданных английскими и индийскими кинематографистами, главная тема которых непростые взаимоотношения между культурами Запада и Востока. Кинематографисты обеих стран прекрасно понимают, что кратчайший путь к сердцу зрителя - это обращение к понятным каждому человеку эмоциям и чувствам, независимо от его национальности, что находит отражение в анализируемых экранных работах</p></abstract><trans-abstract xml:lang="en"><p>The article analyzes the films by British and Indian filmmakers centered on problematic relationship between the Western and the Eastern cultures. The filmmakers of both countries are perfectly aware of the fact that the shortest way to the spectator’s heart is appealing to emotions that touch people of any nationality which is reflected in the analyzed screen works.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Индия</kwd><kwd>Англия</kwd><kwd>кинематограф</kwd><kwd>уважение</kwd><kwd>взаимопонимание</kwd><kwd>культура</kwd><kwd>England</kwd><kwd>India</kwd><kwd>cinema</kwd><kwd>respect</kwd><kwd>culture</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Дорошевич А.Н. Полвека британского кино. - М.: НИИК, 2008. - 480 с.</mixed-citation><mixed-citation xml:lang="en">Дорошевич А.Н. 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