<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-652</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>МИРОВОЙ КИНОПРОЦЕСС | АНАЛИЗ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>WORLD CINEMA | ANALYSIS</subject></subj-group></article-categories><title-group><article-title>Кинематографические источники американского «фильма нуар»</article-title><trans-title-group xml:lang="en"><trans-title>Primary Cinema Sources of American Noir</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Орозбаев</surname><given-names>Касым Нурбекович</given-names></name><name name-style="western" xml:lang="en"><surname>Orozbaev</surname><given-names>Kasym N.</given-names></name></name-alternatives><email xlink:type="simple">ilikenorah@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>VGIK</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2016</year></pub-date><pub-date pub-type="epub"><day>09</day><month>04</month><year>2024</year></pub-date><volume>8</volume><issue>2(28)</issue><fpage>108</fpage><lpage>118</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Орозбаев К.Н., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Орозбаев К.Н.</copyright-holder><copyright-holder xml:lang="en">Orozbaev K.N.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/652">https://www.vestnik-vgik.com/jour/article/view/652</self-uri><abstract><p>В статье анализируются два основных кинематографических источника американского «фильма нуар» - немецкий кинематограф времен Веймарской республики ( 1919- 1933) и американский гангстерский фильм (1920-1930). Отмечаются их основные стилистические, тематические и концептуальные приемы, оказавшие влияние на формирование стиля «нуар» в американском кинематографе 1940-1950-х годов.</p></abstract><trans-abstract xml:lang="en"><p>The article analyses the two main sources of American ‘film noir’: the German cinema of the Weimar period (1919-1933) and American gangster film (1920-1930), pointing out the principal stylistic, thematic and conceptual techniques that influenced the forming of the ‘noir’ style in the American movies of the 1940-1950s.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>«фильм нуар»</kwd><kwd>стиль</kwd><kwd>гангстерский фильм</kwd><kwd>американский кинематограф</kwd><kwd>киноэкспрессионизм</kwd><kwd>новая вещественность</kwd><kwd>каммершпиле</kwd><kwd>кинематограф Веймарской республики</kwd><kwd>film noir</kwd><kwd>style</kwd><kwd>gangster film</kwd><kwd>American cinema</kwd><kwd>Expressionism</kwd><kwd>New Objectivity</kwd><kwd>Kammerspielfilm</kwd><kwd>Weimar cinema</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Айснер Л. Демонический экран. - Москва, Rosebud Publishing, 2010. - 240 с.</mixed-citation><mixed-citation xml:lang="en">Айснер Л. Демонический экран. - Москва, Rosebud Publishing, 2010. - 240 с.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Гусев А. Спасение по правилам: гангстерский фильм // SEANCE.RU// URL: http://seance.ru/ blog/eastern-promises/ (дата обращения: 27.04.2016).</mixed-citation><mixed-citation xml:lang="en">Гусев А. Спасение по правилам: гангстерский фильм // SEANCE.RU// URL: http://seance.ru/ blog/eastern-promises/ (дата обращения: 27.04.2016).</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Кракауэр З. Психологическая история немецкого кино. От Калигари до Гитлера. - М.: Искусство, 1977. - 320 с.</mixed-citation><mixed-citation xml:lang="en">Кракауэр З. Психологическая история немецкого кино. От Калигари до Гитлера. - М.: Искусство, 1977. - 320 с.</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Brook V. Driven to Darkness: Jewish Emigré Directors and the Rise of Film Noir - New Jersey, Rutgers University Press, 2009. - 285 p.</mixed-citation><mixed-citation xml:lang="en">Brook V. Driven to Darkness: Jewish Emigré Directors and the Rise of Film Noir - New Jersey, Rutgers University Press, 2009. - 285 p.</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">Spicer A. Film Noir - Harlow, England, Pearson Education Limited, 2002. - 250 p.</mixed-citation><mixed-citation xml:lang="en">Spicer A. Film Noir - Harlow, England, Pearson Education Limited, 2002. - 250 p.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
